The installation series of ''Untitled 2004'' (At the Dawn of the 21st Century : A View Thought ''The Red Window'' The Critical Time of the World Civilization)
Dónde:
Davis Museum - The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona / Puigmartí, 7, 1º, 2 / Barcelona, España
This art project work (a three-dimensional work and mixed media installation) focuses on the mechanisms of perception and dreams, the private world of the world of fantasy and the unconscious, the conditions underlying the system by which mind and spirit operates. At the same time, the (in)-visibility of the structure ignites a confusion in the viewers' perception of the work and of the space where it is placed, thus provoking and ambiguous relationship between the object, its function and its appearance and unlock a mysterious force field on the border of truth and lie, that is able to create unexpected angles of approach which in turn force the viewer to take up a new position in the observation of the surrounding world.?
I graduated from the Department of Fine and Applied Arts at Chulalongkorn University in 1996. Since graduation, I have been working as a media artist with Cyber Lab at...the Center of Academic Resources, Chulalongkorn University. I work in the realm of contemporary art and am interested in revealing the unexplored facets of experience. In 1998-2010, I secured funding and traveled as a visiting artist/researcher to several countries such as: Canada, the United States of America, Denmark, Finland, France, Norway, Sweden, Slovenia, Slovakia, Hungary, Croatia, Austria, Italy, Germany, United Kingdom, Egypt, Singapore, Sri Lanka, Malaysia, Korea and Japan. I have already made some contribution to the development of the media arts through my artistic and research practice, and related international activity at the Banff Centre for the Arts (Canada), ImaginAsia Project, Smithsonian Institution (The Freer Gallery of Art and The Arthur M.Sackler Gallery, United
State of America), ZKM Project, (Institute for Visual Media, Germany), Designskolen; Biennial Theatre Festival - Sight 'n Vision, Nordic Theatre Union (Denmark), Fukuoka Asian Art Museum; Collaboration Art Network In-Between; Waseda University; Kobe University of Design (Japan), Central European University (Hungary), International Cultural Centre Jeunesses Musicales Croatia Groznjan (Croatia), The TOU SCENE Contemporary Centre of Art; The Nordland Kunst 0g Filmskole; The Trondheim Electronic Arts Centre; The Kunstakademiet Trondheim (Norway), Luleå Winter Biennial; The Beeoff/Splintermind; The Ricklundgården and The Royal University College of Fine Arts (Sweden), Kiasma Museum of Contemporary Art, The Pro Artibus Foundation and Art Centre Saksala ArtRadius (Finland), Galleria Civica di Arte Contemporanea and rodesera>Centrale fies (Italy), MAAP-Multimedia Art Asia Pacific, Nanyang Technological University (Singapore), Rimbun Dahan and ABN AMRO-Malihom (Malaysia), Designing Your Future, Berlinale Talent Campus 2005, Haus der Kulturen der Welt (Germany) and Biennale Bibliotheca Alexandrina 2005, Arts Center, Bibliotheca Alexandrina (Egypt); Gyeonggido Museum of Modern Art, National Museum of Contemporary Art, Danwon Arts Museum, Arko Museum, Songsan Art Hall, Alternative Space Loop, Soeul Art Museum , Hankuk Art Museum, Korea International Art Fair (Korea), ADCNI Biennale 2009 (Reunion, France) and Flaxart Studios (United Kingdom).
I am directing my energies towards the exploration of the phenomenon of cross-interdisciplinary of art and culture, and searching for answers that can help reverse the subordination and objective materialism, which are prevalent in today?s society. What are the thoughts, doubts, fears, uncertainties, and reflections that we have and experience as we head towards the new material and immaterial territories, which we are to inhabit in the future? In a world increasingly becoming chaotic and inhumane, I found that all around us are racial and tribal wars, artificially constructed boundaries, confusion, and conflicts. How should we interpret these? Signs of Times? in their context? In what way are contemporary media arts responsible for a transformation of society?
The concept of the art project 'At the Dawn of the 21st Century: A View-Thought ?The Red Window? (?The Critical Time of the World Civilization') originated in the digital experiments with the photomontage materials.
Later, I added some architectural elements, electronic light controls, sound effects, so that this project evolved into a three-dimensional work. I combined all these elements and blended them in the abstract world of my imagination, in order to create in reality an artistic and public space lived through time. Since 1996, this project has been accepted to several exhibitions: ?Tomorrow Where Shall We Live?? (curated by Toyo Ito and supported by the Japan Foundation, Faculty of Architecture, Chulalongkorn University, 1996); ?Utopia 1997? (curated by Apinan Poshyananda, the Art Center, Center of Academic Resources, Chulalongkorn University, 1997); ?OPEN? 999,? 2nd International Exhibition of Sculpture and Installations in Lido, Venice/?II Esposizione Internazionale
di Sculture e Installazioni Lido di Venezia? (curated by Paolo de Grandis and Pierre Restary, organized by the Arte Communications and supported by the Assessor of Culture of Venice, Italy, 1999); ?Siggraph 2000? (curated by Diane Gromala, Art Galleries, Ernest N. Memorial Convention Center, New Orleans, USA, 2000); 'Palace of Light, Art and Culture in the Public Space' (curated and organized by Davis O. Nejo, Cross Cultural Communication, supported by European Union and Wien Kulture, Vienna, Austria, 2003); 'Metamorphosis', 'International Festival of Sculptures?, (curated by Zoran Srdi, University of Ljubljana, Ljubljana, Slovenia, July 2003); Luleå Winter Biennial 2004? (curated and organized by KILen-The artist group in Luleå, supported by The European Union Structure fund Goal 1, Luleå municipality, Luleå Employment office-Culture and Media, County Administrative Board of Norrbotten, Norrbotten County Council, The Swedish National Council for Cultural Affairs and The Swedish Institute, Luleå, Sweden, 2004); The Installation series of Untitled (Wishes, Lies and Dreams >> Heartsick On The Open Sea With Stars?), (curated by Åsa Lönnqvist, Peter Heinström and Magdalena Holm, The Pro Artibus Foundation Gallery, Ekenäs, Finland, 2005); The Installation series of ?Untitled 2007? (curated and organize by Uchida Hiroshi, support by The Japan Foundation, 2007); ?The Installation series of Untitled (Wishes, Lies and Dreams >> Tomorrow is Another Day...)?, 'Art Now 2007', (curated by Hong-hee Kim, Gyeonggido Museum of Modern Art, Gyeonggi-Do, Korea, 2007) 'Installation series of Untitled (Wishes, Lies and Dreams)?, (curated and organize by Eunjung Son and Sohee
Kim /Curator, Alternative Space LOOP, Somee Kim/Program manager, MIZY Center, PROJECT STANDING BY OOO. season4, XI Gallery, Seoul, Korea, 2008); ?Installation series of Untitled (Wishes, Lies and Dreams)?, (curated and organize by Cheong Jong Hyo, Choi A Reum, KIAF Operation Committees and Galleries Associate of Korea, Korea International Art Fair 2008, Seoul, Korea, 2008); ?The Installation series of Untitled (Wishes, Lies and Dreams)?, (curated by Anna Kang, Changdong Public Art Project, National Museum of Contemporary Art, Seoul, Korea, 2008) ; ?Installation series of Untitled (Wishes, Lies and Dreams)?, ?Red Carpet? (curated by Yoon Soo Kim and Jae won JEONG, IASK- National Museum of Contemporary Art, Seoul, Korea, October 2008 (Catalogue and Press Release); ?The Installation series of Untitled (Wishes, Lies and Dreams>> I Want To Believes..!)?, (curated and organize by Alain Seraphine and committees of the ADCNI,
ADCNI Biennale 2009, Réunion , France, 2009); 'The Installation series of Untitled (Wishes, Lies and Dreams)?, (curated by Michael Davidge and Jocelyn Purdie, Modern Fuel Artist-Run Centre and Union Gallery, Ontario, Canada , 2009); 'The Installation series of Untitled (Wishes, Lies and Dreams)?, (curated by Helga Fox-HF Contemporary Art Gallery, Art Projects , London Art Fair 2010>> Modern and Contemporary British Art, Business Design Centre, London, United Kingdom, 2010); ?The Installation series of Untitled (Wishes, Lies and Dreams)?, (curated by Gary Sussman, The Art Students League of New York, New York, U.S.A., 2010) ; 'The Installation series of Untitled (Wishes, Lies and Dreams)?, (curated by Flax Art Studios Artist?s Group, Flax Art Studios, Belfast, United Kingdom, 2010) and ?The Installation series of Untitled (Wishes, Lies and Dreams)?, (curated by Robert Wilson, Organize by Benefit Chairs, Contemporary Chairs and Contemporary Committees, Watermill Center, New York, U.S.A, 2010); 'The Installation series of Untitled
(Wishes, Lies and Dreams >> He Message...)', (curated by Janaína Melo, The selection committees: Maria Montero (an independent curator and producer), Nathalie Angles (founder of Unlimited Residency in New York), Francisco Magalhaes (director of the Mining Museum), Anita Beckers (collector and owner of Gallery Anita Beckers in Frankfurt), Silke Bitzer (independent curator and art critic in Switzerland), JACA- Jardim Canadá, Centro de Arte e Tecnologia, Belo Horizonte, Brazil, 2010)
2. METHOD
The project?s emphasis is on the two interwoven processes. The first step was to search for new
expressive possibilities afforded by the contemporary visual language, as related to the cutting edge of 'The Critical Time of the World Civilization.' I have explored the mental processes and various paradigms in order to represent the contemporary civilization clearly, without biases-the action that always constitutes specific challenges for contemporary art, modern art and/or media arts. I had experimented with real-practice problems and analyzed the way in which they affect the internal sense until I was able to come up with the design solution.
The results of the first step will have to be tested and the various findings project will have to be integrated. The conclusion will be drawn when research work associated with the New Art project will have been accomplished and the final ways of art will have been established.
3. RESULTS AND DISCUSSIONS
From the 17th century onward, the advancement of new technologies has had a tremendous impact on every human being in the world. At the same time, the scientific developments have provoked numerous ethical and moral issues. High-end technology is often times goes against the faith and religious believes in heaven (just one but vivid example: through the scientific experiments humans managed to produce new life by cloning, in the course of which new cells are being created by means of bioengineering). In my view, the effort to invent new
goods following the demand and basic human needs means simply to satisfy the desire and passion of the basic individual living. The varieties of happiness look as Virtual Reality that refer to the fifth internal senses? content only a section short-temporary or extremely mobilize new-science technology to seek benefit of all directions. Nobody even thinks of a future if they know that they can gain immediate benefits from the fusion of sub-particles and atoms. In a search for new territories, they are ready to go to the outermost galaxies of the solar system, for their desire does not know an end. Some people strive to set up and expand their administrative power while
hunting for the new colonies that would reinforce their status as masters in the world. (Looking at the weak subordinate is an act of supremacy.) With the progress of technology, our morality is vanishing. Lack of morality becomes an insanity of the many; including separating a rack of mobility among the gain and the loss, a superior and inferior of an extremely discrimination. Aesthetical feeling, memory, optimism and common sense ? all these are being distorted and destroyed because of a profound change in the human behavior in the last century.
Our society is producing nothing in peace. The virgin world was painfully trapped and damaged by illusionist tricks. This current situation cannot be neglected or left without rethinking, and this becomes the central focus as well as the cutting edge of 'The Critical Time of the World Civilization.
4. CONCLUSIONS
Our world is full of uncertainties and ambiguities. The society views its surroundings in a purely
scientific way. In my opinion, civilization with its science is unable to provide valid answers or satisfactory explanations. Frequently, knowledge comes with the power whose impact reaches far beyond the individual?s intuition and intellect. Scientific achievements have challenged moral codes and ethics as well as faith and religion. Science and technology can bring a threat and do harm to the humanity. The reverse side of utopia is pessimism. A human quest to conquer distant galaxies and an endless search for new colonies reflect the longing for power, aggrandizement, and control. The imbalance of power between those who control and those who are controlled has led to a general disorder and the dilemmas. In the era of mass confusion and distorted values, aesthetics and common sense are greatly subverted. In the early 21st century, we are facing the crisis of the world civilization.
ACKNOWLEDGMENT
I gratefully acknowledge the generous support of The Ministry of Culture and Tourism Republic of
Korea, The Japan Foundation, The Swedish Institute, The Swedish National Council for Cultural Affairs, The Prince Claus Fund, The European Union, The Wien Kulture, The Open Society Arts & Culture Network Program, The Cross Cultural Communication, The Luleå municipality, The Luleå Employment office-Culture and Media, The County Administrative Board of Norrbotten, The Norrbotten County Council, The Kolding Kommune, The Pro Artibus Foundation, The Byrd Hoffman Water Mill Foundation, The Brazilian Ministry of Culture, The Gyeonggido Museum of Modern Art, The Danwon Art Museum , The Arko Museum, The Royal University College of Fine Arts, The Banff Centre for the Arts, The International Cultural Centre Jeunesses Musicales Crotia Groznjan, ZKM-Institute for Visual Media Center for Art and Media, The Designskolen, The TOU SCENE Contemporary Centre of Art , The Nordic Theatre Union, The Central European University, The
Smithsonian Institution: The Freer Gallery of Art and The Arthur M. Sackler Gallery, The Southeast Asian Computer Graphics Society, The Nanyang Technological University, The Fukuoka Asian Art Museum, The Kobe University of Design, The Nagoya Design Center, The Waseda University, The Chulalongkorn University, Alternative Space LOOP, MIZY Center, XI Gallery, Korea International Art Fair, National Museum of Contemporary Art, ADCNI Biennale, Modern Fuel Artist-Run Centre and Union Gallery, Canada Art Council for the Arts, London Art Fair, HF Contemporary Art Gallery, The Art Students League of New York, Flax Art Studios , Watermill Center and JACA-Jardim Canadá Centro de Arte e Tecnologia.
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50. Markus Petz, 4th Pirkanmaa Triennial 'TRUTH', Pispala Contemporary Art Centre, Tampere, Finland, September 2009 (Press Release)
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57. Michael Davidge and Jocelyn Purdie, The Installation series of Untitled (Wishes, Lies and Dreams), Modern Fuel Artist-Run Centre and Union Gallery, Ontario, Canada , December 2009 (Press Release)
58. Helga Fox (HF Contemporary Art Gallery), The Installation series of Untitled (Wishes, Lies and Dreams), Art Projects , London Art Fair 2010>> Modern and Contemporary British Art, Business Design Centre, London, United Kingdom, January 2010 (Press Release)
59. Gary Sussman, The Art Students League of New York, The Installation series of Untitled (Wishes, Lies and Dreams), New York, U.S.A., January 2010 (Press Release)
60. Flax Art Studios Artist?s Group, The Installation series of Untitled (Wishes, Lies and Dreams), Flax Art Studios, Belfast, United Kingdom, February 2010 (Press Release)
61. Tarun Tapas Mukherjee, Rupkatha Journal (Volume 2, Number 1 Special Issue on Visual Arts), Utopia, EISSN 0975 ? 2935, February 2010 (Press Release)
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63. Robert Wilson, New York Times, New York Magazine, Wall Street Journal, Fashion Week Daily, WWD EyeScoop,Vanity Fair, New York Social Diary, New York Post, Patrick McMullan, Interview Magazine, Luxist, Hamptons.com, Style.com/Vogue, Fox News, Artlog, Theaterlife, US Magazine, Huffington Post, BizBash, PanachePrivee.com, Manhattan Society, Images by Lovis Dengler, The Installation series of Untitled (Wishes, Lies and Dreams), Paradiso: The 17th Annual Watermill Summer Benefit, Watermill Center, New York, U.S.A. July 2010 (Catalogue and Press Release)
64. Sandrine Micosse, Open Space Projekt ZWISCHENRAUM f r KUNST MIGRATION,
http://migration-boell.de/web/integration/47_2589.asp, Heinrich-Böll-Stiftung, Berlin, Germany,
July 2010 (Press Release)
65. Martina Schettina and Peet Thomsen, Light Art Biennale Austria 2010, ArtP.kunstverein, Perchtoldsdorf, Austria, July 2010 (Press Release)
66. Janaína Melo, Fluxo-Espaço-Ocupação, 'The Installation series of Untitled (Wishes, Lies and Dreams >> He Message...)', JACA- Jardim Canadá Centro de Arte e Tecnologia, Belo Horizonte, Brazil, December 2010 (Catalogue) Appendix The original concept/ideas 'At the Dawn of the 21st Century: A View-Thought, The Red Window' ('The Critical Time of the World Civilization') expanded into a three-dimensional work, which contains the architectural structure, electronic lighting control, and sound effects thus creating a living spatial?temporary environment.
BIOGRAPHY
Born: 1970, Bangkok, Thailand
EDUCATION
1978-1984
Primary School Studies Education,
Satee Thai Foundation of Thailand School, Bangkok,
Received a Certificate of Primary School
1984-1987
Secondary School Studies Education,
Nonsee Vittaya School, Bangkok, Received a Certificate of Secondary School
1986
Practice Studies Education, College of Si Phraya Technic, Bangkok,
Received a Certificate in Visual Art
1987-1990
Vocational Studies Education,
College of Fine Art, Bangkok, Received a Certificate of Vocational Studies in Fine Art
1990-1992
High Vocational Studies Education,
College of Fine Art, Bangkok, Department of Graphic Art,
Received a Certificate of High Vocational Studies In Graphic Art
1992-1996
University Studies Education,
Chulalongkorn University, Bangkok, Department of Visual Art, Faculty of Fine and Applied Arts,
Received a Certificate of B.F.A.(Visual Art/Photography)
Practice Studies Education, College of Si Phraya Technics, Bangkok,
Received a Certificate in Electronic: Practice Studies Education,
College of Si Phraya Technics, Bangkok, Received a Certificate in Computer
1998
Practice Workshop, 'ZKM - Chulalongkorn University', Institute for Visual Media
Center for Art and Media (Karlsruhe, Germany) and Faculty of Science, Chulalongkorn University
Practice Workshop, 'Shape Modeling Base on Singularity , The University of Tokyo
(Japan) and Faculty of Science, Chulalongkorn University
Japan Foundation Fellowship, supported by The Japan Foundation, Collaboration Media
Arts/Architectural/Drama
1999-2000
Research Studies, ?Contemporary Architecture?, Graduate School of Science and
Engineering,Waseda University, Tokyo, Japan
Research Studies, ?Contemporary Art?, Fukuoka Asian Art Museum, Fukuoka, Japan
Practice Workshop, ?Sense of Perception?, International Design Center Nagoya, Nagoya
Design Center, Nagoya, Japan
ImaginAsia Program, Smithsonian Institution: The Freer Gallery of Art and The Arthur M.Sackler
Gallery, Washington DC, U.S.A.
Residency, Slo Mo, Media & Visual Arts, The Banff Centre for The Arts, Alberta, Canada
Residency, Experimental Television Centre, Owego, New York State, U.S.A.
2001
Guest Student, Department of Interactive Media, Designskolen Kolding, Kolding, Denmark
2003
Guest Researcher, Central European University, CEU Summer University, ?Visual Studies
Today?, Budapest, Hungary
Residency, METAMORPHOSIS, International Festival of Sculptures, SOU-University of
Ljubljana, Ljubljana , Slovenia
Swedish Institute Scholar, supported by The Swedish Institute, Contemporary Art/ Media Arts
Guest Student, Royal University College of Fine Arts, Stockholm, Sweden
Practice Workshop with Rirkrit Tiravanija, Royal University College of Fine Arts,
Stockholm, Sweden
2004
Residency, Beeoff/Splintermind Project, Stockholm, Sweden
Residency, Young European Artist, Emma Ricklund Foundation, Ricklundgården, Saxnäs, Sweden
Workshop, Mobile Outskirts, Trondheim Elektroniske Kunstsenter, Trondheim, Norway
International Symposium with a Workshop in Architecture, Theory and Design In The
Digital Age, International Cultural Centre Jeunesses Musicales Croatia Groznjan, Groznjan,
Croatia
2005
Workshop, DESIGNING YOUR FUTURE, Berlinale Talent Campus 2005, 55th Berlin
International Film Festival, Haus der Kulturen der Welt, Berlin, Germany
Workshop, Imagining the Book II, Biennale Bibliotheca Alexandrina 2005, Arts Center,
Bibliotheca Alexandrina, supported by Bibliotheca, Alexandrina Alexandria, Egypt
Workshop, INTERNATIONAL ARTISTS SYMPOSIUM III and ARTHAPPENING
VellaNOarte2005, Tuscany, Italy
Residency, The Pro Artibus Foundation, Ekenäs , Finland
2006
Residency, Saksala ArtRadius Oy, Haukivuori, Finland
Workshop, Locative Media: Rautatieasema returns, Kiasma, Museum of ContemporaryArt,
Helsinki, Finland
Workshop, Moving Stage Lab - Copenhagen Laboratory 2006, Biennial Theatre Festival Nordic
Theatre - Sight 'n Vision, Nordic Theatre Union, Copenhagen, Denmark
Residency, TOU SCENE Contemporary Centre of Art, Stavanger, Norway
2007
Residency, Collaboration Art Network In-Between, Fukuoka, Japan
Residency, Gyeonggido Museum of Modern Art/Danwon Art Museum, Ansan City, Gyeonggi-
Do, Korea
Residency, Rimbun Dahan, Selangor, Malaysia
2008
Residency, ABN AMRO-Malihom, Penang, Malaysia
Residency, Changdong International Artists Studio Program Korea, National Museum of
Contemporary Art, Seoul, Korea
Workshop, PROJECT STANDING BY OOO. season4, organize by Alternative Space LOOP and
MIZY Center, XI Gallery, Seoul, Korea
2009
Residency, ADCNI Biennale 2009, La Réunion, France
Visiting Artist, Modern Fuel Artist-Run Centre and Union Gallery, Ontario, Canada
Residency, The Art Students League of New York, New York, U.S.A
2010
Residency, Flaxart Studios, Belfast, United Kingdom
Residency, Theertha International Artists Collective, Colombo, Sri Lanka
Residency, Watermill Center, New York, U.S.A.
Residency, The Virginia Center for Creative Arts, Virginia, U.S.A.
Residency, Gershwin Hotel, New York, U.S.A.
Residency, The Millay Colony for the Arts, New York, U.S.A.
Residency, The JA.CA ? Jardim Canadá Centro de Arte e Tecnologia, Belo Horizonte, Brazil
Residency, The Vermont Studio Center, Vermont, U.S.A.
Upcoming
2011
Residency, The Clay Studio, Philadelphia, U.S.A.
Residency, Pyramid Atlantic Art Center, Maryland, U.S.A.
Residency, Bundanon Trust Art Program, New South Wales, Australia
REFERENCES
References will be provided on request.
Experiences & works
1992
Freelance Artist
Artist-Designer, Fantasy Land Company Limited, Bangkok
1994
Artist-Designer, Triplet & August Company Limited, Bangkok
Practice Training, S.P.V. (for Macintosh), Bangkok
1995
Practice Designer, B.S.O. (Bangkok Symphony Orchestra Foundation), Under the Royal Patronage
of his Royal Highness Crown Prince Maha Vajiralongkorn, Bangkok
Practice Training, D.I.R.(Digital Image Reproduction Company Limited), Bangkok
1996
Representative to participant and working with United Nations, ASEAN Photo Exhibition on
occasion'50 years United Nations', United Nations, Bangkok
Assistant Research/Photograph for 'Art Galleries in Thailand'
Artist-Designer & Public Relation,Office of the President, Union Bank of Bangkok Public Company
Limited, Bangkok
Assistant Architecture, Peri Power Company Limited, Bangkok
1997-1998
Multimedia Artist-Designer, Cyber Lab, Centers of Academic Resources, Chulalongkorn University,
Bangkok
1999-2000
Multimedia Artist-Designer, The Gem and Jewelry Institute of Thailand, Chulalongkorn University,
Bangkok
2001-Present
Independent Artist/Researcher
2002
Director, KAO Country Director Board (Head office: Kinetic Art Organization, Florida, U.S.A)
SOLO EXHIBITIONS
2003
The Installation series of ?Untitled 2003? (Palace of Light), Art Screen-Art and Culture in the Public Space, AT
Untitled, Rocketart Gallery, AU
2004
The Installation series of Untitled (Wishes, Lies and Dreams), Art Gellery Mellanrummet, SE
Beeoff/Splintermind Project, Untitled (Wishes, Lies and Dreams III); Kiasma Museum of Contemporary Art Helsinki; Museet for Samtidskunst; Museum of Contemporary Art ;
Atelier Nord; Norrbotten County Museum; Gävleborg County Museum; Jönköping County museum; Gotland Museum of Art and Blekinge Museum
2005
The Installation series of Untitled (Wishes, Lies and Dreams) and series of ?Untitled?, Art Gallery of Nanyang, SG
The Installation series of Untitled (Wishes, Lies and Dreams), Brown Univ, USA
The Installation series of Untitled (Wishes, Lies and Dreams), Northern Illinois Univ, USA
Untitled (Wishes, Lies and Dreams II), Blue Oyster Gallery, NZ
The Installation series of Untitled (Wishes, Lies and Dreams >> Heartsick On The Open Sea With Stars?), ProArtibus, FI
2006
The Installation series of Untitled (Wishes, Lies and Dreams), 24HR Art - NT Centre for Contemporary Art, AU
The Installation series of Untitled (Wishes, Lies and Dreams >> From Crystal To The Stars?), Mikpoli IT Centre Hall, FI
2007
The Installation series of ?Untitled 2007? (Primitive Cool), Japan Foundation Art Gallery, TH
The Installation series of Untitled (Wishes, Lies and Dreams), Tallinna Linnagalerii, EE
The Installation series of Untitled (Wishes, Lies and Dreams), Art Gene Limited, UK
The Installation series of Untitled (Wishes, Lies and Dreams), Artspace Tetra, JP
The Installation series of Untitled (Wishes, Lies and Dreams), Baracca Space, NL
2009
The Installation series of Untitled (Wishes, Lies and Dreams), Union Gallery, CAN
2010
The Installation series of Untitled (Wishes, Lies and Dreams), The Art Students League of New York, U.S.A.
The Installation series of Untitled (Wishes, Lies and Dreams), London Art Fair 2010>> Modern and Contemporary British Art, Business Design
Centre, UK
2011
The Installation series of Untitled (Wishes, Lies and Dreams >> Tomorrow Is Another Day? ), Organhaus Art Space, CN
Series of Untitled, The Davis Lisboa Mini-Museum of Contemporary Art, ES
GROUP EXHIBITIONS
1996
The installation series of 'Untitled1996'( Tomorrow Where Shall We Live?), Chulalongkorn Univ, TH
1997
The installation series of Utopia 1997, Art Center, Chulalongkorn Univ, TH
1998
THE MILLENIUM ART COLLECTION, Stichting 2000 Foundation, NL
2000
Siggraph 2000, Ernest N. Morial Convention Center, USA
2001
CYNETart, Medien kulturzentrum PENTACON, DE
IV Biennal Internacional de Fotografia, Institut Municipal d'Accio Cultural, ES
2002
REACTIONS, Exit Art Gallery, USA
Coop_02, Museum of Contemporary Art/Kalinderu Medialab, RO
Biennal festival X, Museo Elder De La Ciencia Y La Tecnologia, ES
Tehran Biennial, Tehran Museum Of Contemporary Art, IR
Unforgettable, Berliner Kunstprojekt, DE
Next Move, ICA-Institute for Contemporary Art, SG
METAMORPHOSIS, International Festival of Sculptures, SI
V Biennal Internacional de Fotografia, Institut Municipal d'Accio Cultural, ES
2004
Another world is possible-Let's build it, The World Social Forum, IN
Luleå Winter Biennial, SE
Spring Exhibition, Art Gellery Mellanrummet, SE
OUTVIDEO, National Centre for Contemporary Art, RU
Art+Communication Festival, RIXC Centre for New Media in Riga, LV
Art at War, Aldo Castillo Gallery, USA
MAAP (Multimedia Art Asia Pacific), Nanyang Technological Univ, SG
2005
Untitled (Wishes, Lies and Dreams), Holt Gallery, UK
DESIGNING YOUR FUTURE-Berlinale Talent Campus, Haus der Kulturen der Welt, DE
BoundLess, Touring Exhibitions: Stenersenmuseet (Oslo); Bodø Kunstforening (Bodø), Sogn og Fjordane, Kunstmuseum - Eikaasgalleriet (Jølster); Trondarnes, Distriktsmuseum (Harstad); Eidsberg kommune, Kulturkontoret (Eidsberg); Grenselandmuseet (Kirkenes) and Stavanger Kunstforening (Stavanger)
The Capture of the Temporal: New Works in Photography and Video, Turchin Center for the Visual Arts, USA
Untitled, Paper Politics (West), Phinney Center Gallery, USA
Biennale Bibliotheca Alexandrina, Alexandrina Arts Center, EG
HK Artist's Biennale (Moonstruck), Club 64, HK
Salón de Arte Digital, Museo de Arte Contemporáneo del ZULIA/MACZU, VE
International Prize for Performance, Galleria Civica di Arte Contemporanea in collaboration with drodesera>centrale fies, IT
Capturing Utopia, Fournos Center for Digital Culture, GR
International Kaunas Art Biennial, M. Zilinskas Art Gallery, LT
2006
Global Groove, Art Gallery of Knoxville, USA
5 Continent, Saksala ArtRadius Center, FI
Pikseliähky 2006, Kiasma Museum of Contemporary Art, FI
Interfacce::fotoesordio, Galleria Nazionale d'Arte Moderna e Contemporanea, IT
Tou Night Performance, TOU SCENE Contemporary Centre of Art, NO
The Installation series of Untitled (Wishes, Lies and Dreams), L' Association Fais Des Bulle, FR
Displaced, Independent Museum of Contemporary Art, CY
Gene Culture (coincide with Liverpool Biennial), Slaughter House Gallery, UK
Biennale 3000 São Paulo, Mac USP, BR
2007
BIENAL DE ESCULTURA DE VALLADOLID, Fundación Municipal de Cultura Valladolid, ES
DESERT GENERATION, Touring Exhibitions: Jerusalem Artists' House & Kibbutz Art Gallery (IL) and Meneer de Wit Gallery (NL)
CAe2007, Banff Center for the Arts, CAN
The Most Curatorial Biennial of the Universe, Apexart, USA
Art Now 2007, Gyeonggido Museum of Modern Art, KR
2008
KUNST IN DER CARLSHÜTTE gGmbH 2008, DE
Changwon Asian Art Festival, Songnam Art Hall, KR
PROJECT STANDING BY OOO, XI Gallery, KR
Point, Alternative Space LOOP, KR
KIAF2008, Korea International Art Fair 2008, Coex, KR
Chang dong Public Art Project, IASK- National Museum of Contemporary Art KR
Red Carpet, IASK- National Museum of Contemporary Art, KR
Continuing Power of Asia, Hankuk Art Museum, KR
World Open Art Festival, Seoul Museum of Art, KR
2009
The Critical Time of The World Civilization, ART OF EMERGENCY, Artneuland Berlin Space, DE
Techno Photography, series of ?Untitled? by HF Contemporary Art, Lauderdale House, Upper Gallery, UK
Between the Eyes: a One Night Stand with GILT ,GILT gallery for contemporary art, NZ
MICHAEL JACKSON Tribute by HF Contemporary Art, Draywalk Gallery, UK
4th Pirkanmaa Triennial 'TRUTH', Pispala Contemporary Art Centre, FI
ASIAN ART, HF Contemporary Art, UK
Gong Ju International Art Festival 2009, Limlip Art Museum, KR
VI Bienal Internacional de Arte SIART, BO
ADCNI Biennale 2009, FR
2010
The Last Book (El último libro), Zentralbibliothek Zürich, CH
The Fantastic Garden, Changwon Asian Art Festival, Songsan Art Hall,KR
The Installation series of Untitled (Wishes, Lies and Dreams), Red Dot Gallery, SK
One Night Only SCREENING, Greyfriars Art Space, UK
FASHION FUSION' by HF Contemporary Art, Truman's Brewery, UK
KUNST IN DER CARLSHÜTTE gGmbH 2010, DE
Open Space Projekt ZWISCHENRAUM für KUNST & MIGRATION, Heinrich-Böll-Stiftung, DE
Paradiso: The 17th Annual Watermill Summer Benefit, Watermill Center, USA
HF Contemporary Art - 'SUMMER ART & FASHION SHOW', Memorial Hall, UK
Light Art Biennale Austria 2010, ArtP.kunstverein, AT
HF Contemporary Art, Grand Opening New Gallery In Berlin, HF Contemporary Art Gallery, DE
Reflective Light Exhibition, Touring Exhibitions: 'Gallery Leegang' in Changwon city, 'Gallery AA' in Geoje city. 'Gallery Yoon' in Andong city , KR
Independents Liverpool Biennial 2010, Gallery4all, UK
CURATE NYC, Rush Arts Gallery in Chelsea, the Essex Street Market on the Lower East Side, La Marqueta Open Plaza in East Harlem and the Richmond County Bank Ballpark at St. George on Staten Island, USA
JACA-Jardim Canadá Centro de Arte e Tecnologia, BR
Open Studio, The Vermont Studio Center, USA
20-20interarts, danse+arts ? Festival Interarts,CAN
Spectacle Slideshow Potluck, Spectacle Theatre, USA
2011
The Last Book (El último libro), Aguilar Branch of the New York Public Library, USA
An Exchange with Sol LeWitt, A two-part exhibition in collaboration with MASS MoCA, Cabinet (New York) and Massachusetts Museum of Contemporary Art (Massachusetts), USA
Open Studio, The Vermont Studio Center, USA
15th Luleå Art Biennial, SE
OSTRALE´011, DE
XIV INTERBIFEP Biennial, BA
The Contemporary Asian Art exhibition, HF Contemporary Art Gallery, DE
ARTLIVE 2011: A GLOBAL DISCOURSE ON THE STATE OF THINGS, CATM Chelsea Gallery and FUND ART NOW, USA
Innovation/Leap/Dream- The 12th China Changchun (High-tech Development Zone) International Sculpture Symposium, CN
http://www.davismuseum.com
http://www.davislisboa.com
Imágenes de la Exposición
Sarawut Chutiwongpeti - Davis Museum
Entrada actualizada el el 23 abr de 2018
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