Artista

Diana Thater

1962 en San Francisco, California, Estados Unidos

Datos generales
Sin Algoritmo AI

Residencia:

Reside en Los Angeles, California, Estados Unidos

Profesionales que le han comisariado:

Manuel Cirauqui en:

Un mundo a la fuga, 2018

Galerías y otras organizaciones que le representan:

1301PE

Organizaciones con obra:

Art Institute of Chicago

Artpace San Antonio

Carnegie Museum of Art (CMoA)

VER TODAS (16) Premium

Profesionales con obra:

Emilio Pi

Etiquetas:

Instalacion Video arte

Enlaces oficiales:

Web

Descripción del Artista

EDUCATION 1990 M.F.A., Art Center College of Design, Pasadena, California 1984 B.A., Art History, New York University SOLO EXHIBITIONS 2018 Diana Thater, The Watershed, Institute of Contemporary Art, Boston [forthcoming] Diana Thater: A Runaway World, Guggenheim Bilbao [forthcoming] 2017 Diana Thater: A Runaway World, The Mistake Room, Los Angeles Diana Thater: As Radical As Reality, Borusan Contemporary, Istanbul Diana Thater: The Starry Messenger, Moody Center for the Arts at Rice University, Houston, Texas 2016 Diana Thater: The Sympathetic Imagination, Museum of Contemporary Art Chicago [Catalog] Diana Thater: Colorvision, 1301PE, Los Angeles 2015 Beta Space: Diana Thater, San Jose Museum of Art, California Diana Thater: gorillagorillagorilla, Aspen Art Museum, Colorado Diana Thater: Life is ... a Time-Based Medium, Hauser & Wirth, London Diana Thater: Science, Fiction, David Zwirner, New York Diana Thater: The Starry Messenger, Galerie Eric Hussenot, Pairs Diana Thater: The Sympathetic Imagination, Los Angeles County Museum of Art, Los Angeles [itinerary: Museum of Contemporary Art Chicago] [Catalog] 2014 Delphine, Saint-Philibert, Dijon [organized by Fonds régional d’art contemporain Bourgogne, Dijon] 2012 Diana Thater: Oo Fifi- Part I and Part II, 1310PE, Los Angeles Diana Thater: Chernobyl, David Zwirner, New York 2011 Diana Thater: Chernobyl, Hauser & Wirth, London Diana Thater: Chernobyl, Institute of Modern Art, Brisbane, Australia Diana Thater – Nature Morte, Galerie Hussenot, Paris Diana Thater: Peonies, Wexner Center for the Arts, Columbus, Ohio 2010 Delphine, Kunstmuseum Stuttgart, Stuttgart, Germany Diana Thater: Between Science and Magic, David Zwirner, New York Diana Thater: Between Science and Magic, Santa Monica Museum of Art, California [catalogue] 2009 Delphine, Kulturkirche St. Stephani, Bremen, Germany [organized by Kunsthalle Bremen] Diana Thater: Butterflies and Other People, Santa Barbara Museum of Art, California Diana Thater: gorillagorillagorilla, Kunsthaus Graz, Austria (a collaborative project with the Natural History Museum, London) [catalogue] Diana Thater: Tigers and Other People, Towner Art Gallery, Eastbourne, England [exhibition publication] 2008 Delphine, The New Children’s Museum, San Diego, California [long-term installation] Diana Thater, 1310PE, Los Angeles Diana Thater: Here is a text about the world, David Zwirner, New York 2007-present Perfect Devotion, The best space is the deep space, Leo S. Bing Theater, Los Angeles County Museum of Art 2007 The Experience of Color: Ann Veronica Janssens & Diana Thater, University Gallery, University of Massachusetts Amherst, Amherst, Massachusetts [two-person exhibition] OFF WITH THEIR HEADS, OSRAM Art Projects / Seven Screens, Munich [catalogue] relay, a collaboration with T. Kelly Mason, West of Rome, 1033 Westwood Boulevard, Los Angeles 2005 Continuous. Contiguous., David Zwirner, New York [catalogue] Diana Thater, Zwirner & Wirth, New York [catalogue] Perpetual Motion, Perfect Devotion, Haunch of Venison, London Pink Daisies, Amber Room, 1301PE, Los Angeles 2004 Diana Thater: Keep the Faith. A Survey Exhibition, Kunsthalle Bremen, Bremen Germany and Museum für Gegenwartskunst Siegen, Siegen, Germany [catalogue] White is the Color, 1301PE, Los Angeles 2003 Transcendence is expansion and contraction at the same time, Haunch of Venison, London [catalogue] 2002 Bastard Pink, Galleria Emi Fontana, Milan Diana Thater, Galerie Hussenot, Paris 2001 knots + surfaces, Dia Center for the Arts, New York [catalogue published in 2002] the sky is unfolding under you, David Zwirner, New York the sky is unfolding under you, 1301PE, Los Angeles 2000-present Broken Circle, Museum für Gegenwartskunst Siegen, Siegen, Germany [catalogue published in 2004] 2000 The Caucus Race, Galleria Emi Fontana, Milan Delphine, Hauser & Wirth, Zurich Delphine, Vienna Secession [catalogue] Diana Thater, 1301PE, Los Angeles Diana Thater, Tensta Konsthall, Spånga, Sweden 1999 The best outside is the inside, Saint Louis Art Museum, St. Louis, Missouri [catalogue] The best sense is the nonsense, Art Gallery of York University, Toronto The best space is the deep space, Carnegie Museum of Art, Pittsburgh The Caucus Race, Patrick Painter, Santa Monica, California Diana Thater, Galerie Hussenot, Paris Diana Thater, H & R Projects, Brussels 1998 The best animals are the flat animals - the best space is the deep space, MAK Center for Art + Architecture, Los Angeles [catalogue] The best space is the deep space, Time-Based Media 1998-99: Diana Thater, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio [catalogue] Diana Thater, Artpace San Antonio, Texas Diana Thater: Video Installations, School of the Museum of Fine Arts, Boston Projects 64. Diana Thater: The best animals are the flat animals, The Museum of Modern Art, New York [exhibition publication] 1997 Diana Thater: Orchids in the Land of Technology, Walker Art Center, Minneapolis, Minnesota 1996 China, Crayons & Molly Numbers 1 through 10, David Zwirner, New York Electric Mind, Salzburger Kunstverein, Salzburg, Austria [publication by the artist] Electric Mind and Recent Works, Portland Art Museum, Oregon [itinerary: SITE Santa Santa Fe, New Mexico; The McKinney Avenue Contemporary, Dallas; University Gallery, University of Massachusetts Amherst, Amherst, Massachusetts] The individual as a species, the object as a medium, Diana Thater: Selected Works 1992-1996, Kunsthalle Basel [itinerary: Kunstverein Hamburg] [catalogue] Wicked Witch, Temporary Contemporary at The Baltic Flour Mills, Gateshead, England [catalogue Temporary Contemporary published in 1997] 1995 China, The Renaissance Society at the University of Chicago [itinerary: Le Creux de l’Enfer - Centre d’Art Contemporain à Thiers, Thiers, France] [catalogue] Crayons & Molly Numbers 1 through 10, Galerie Schipper & Krome, Cologne 1994 Diana Thater, Witte de With, Center for Contemporary Art, Rotterdam [catalogue] Ginger Kittens, Friesenwall 116a, Cologne 1993 Abyss of Light, 1301, Santa Monica, California Late & Soon (Occident Trotting), David Zwirner, New York 1992 Up to the Lintel: Bliss, The Bliss House, Pasadena, California Up to the Lintel: Bliss, Shoshana Wayne Gallery, Santa Monica, California 1991 Dogs and Other Philosophers, Dorothy Goldeen Gallery, Santa Monica, California 1990 With/Out, Art Center College of Design, Pasadena, California 2018 David Zwirner: 25 Years, David Zwirner, New York [catalogue forthcoming] Before Projection: Video Sculpture 1974-1995, MIT List Visual Arts Center, Cambridge, Massachusetts 2017 14th Biennale de Lyon: Floating Worlds, Lyon [catalogue] Artists of Color, The Underground Museu, Los Angeles [organized in collaboration with The Museum of Contemporary Art, Los Angeles] The Basilisk, Nicodim Gallery, Los Angeles The Garden- End of Times; Beginning of Times, ARoS Aarhus Museum, Denmark INCITE, SPACE, Linda Pace Foundation, San Antonio, Texas Nedienkunst von Nam June Paik bis Pipilotti Rist/Media Art from Nam June Paik to Pipilottie Rist, Kunsthalle Bremen, Germany 2016 Indestructible Wonder, San Jose Museum of Art, California On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City, and Vancouver, Depaul Art Museum, Chicago [organized in collaboration with ART21] 2015 Come As You Are: Art of the 1990's, Montclair Art Museum, Montclair New Jersey [itinerary: Terlfair Museums, Savannah, Georgia: University of Michigan Museum of Art, Ann Arbor Michigan; And Blanton Museum of Art, The University of Texas at Austin, Texas] [catalogue] Ladies' Knight: The Female Perspective of Chess, World Chess Hall of Fame, St. Louis, Missouri the slow burn, Ditch Projects, Springfield, Oregon Vita Vitale, The Azerbaijan Pavilion, Venice [part of the 56th Venice Biennale: All the World's Futures] 2014 Cinema & Painting, Adam Art Gallery Te P?taka Toi, Victoria University, Wellington New Zealand [catalogue forthcoming] (De-) Construction: Fiction & Reality, PinchukArtCentre, Kiev, Ukraine 2013 California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California Not Yet Titled, Museum Ludwig, Cologne À Triple Tour, Conciergerie, Centre des Monuments Nationaux, Paris Flowers and Mushrooms, Museum Der Moderne, Salzburg Prima Materia, Punta della Dogana, Venice 2012 Dualities, Bank of America Plaza, Los Angeles Greetings from Los Angeles, Starkwhite, Auckland, New Zealand Howling at the Moon, Dickinson Roundell Inc., New York Light and Landscape, Storm King Art Center, Mountainville, New York New Acquisitions, Stedelijk Museum, Amsterdam Riotous Baroque. From Cattelan to Zurbaran - Manifestations of Precarious Vitality, Kunsthaus Zürich Works in Place, Stedelijk Museum, Amsterdam 2011 Alice in Wonderland, Tate Liverpool, England [itinerary: Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy; Hamburger Kunsthalle, Hamburg] [catalogue] Barroco Nova: Neo Baroque Moves in Contemporary Art, Museum London, London, Canada [catalogue] Out of the Box: Artists Play Chess, World Chess Hall of Fame and Museum, St. Louis, Missouri Syntax: Text and Symbols for a New Generation. Selections from the Hadley Martin Fisher Collection, Tampa Museum of Art, Florida 2010 Anonymous Sculpture: Video and Form in Contemporary Art, Museum Haus Esters, Krefeld, Germany [itinerary: Galerie im Taxispalais, Innsbruck, Austria] [catalogue] The Artist’s Museum, Museum of Contemporary Art, Los Angeles Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York [itinerary: Andy Warhol Museum, Pittsburgh; The Dali Museum, St. Petersburg, Fl; The Virginia MoCA, Virginia Beach, VA] [catalogue] One Room: Diana Thater, Laurence Aberhart, Fiona Banner, 1301PE, Los Angeles Simply Video, Kunstmuseum Stuttgart Taking Place, The Temporary Stedelijk, Stedelijk Museum, Amsterdam 2009 After Darwin: Contemporary Expressions, Natural History Museum, London [catalogue] In-Finitum, Palazzo Fortuny, Venice [catalogue] Magnetic Landscape, The Columbus Museum, Columbus, Georgia Marcel Duchamp: The Art of Chess, Francis M. Naumann Fine Art, New York 2008 The Artist as Troublemaker, Austrian Cultural Forum, New York California Video, J. Paul Getty Museum, Los Angeles [catalogue] Collecting Collections: Highlights from the Permanent Collection of The Museum of Contemporary Art, Museum of Contemporary Art, Los Angeles [catalogue] The Gallery, David Zwirner, New York Group Show, 1301PE, Los Angeles Human/Nature: Artists Respond to a Changing Planet, Museum of Contemporary Art San Diego, California [itinerary: University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, California] [catalogue] Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles Multiverse, Claremont Museum of Art, California Progress, Whitney Museum of American Art, New York Southern Exposure: Works from the Collection of the Museum of Contemporary Art, San Diego, Museum of Contemporary Art, Sydney [catalogue] Whitney Storefronts, Whitney Museum of American Art, New York 2007 After the Situation: Moment Making, Artspace, Auckland, New Zealand …drawling, stretching and fainting in coils…, FestSpiele + 2007, Pinakothek der Moderne and Nationaltheater, Munich [catalogue published in 2008] Elsewhere?, Galleria Emi Fontana, Milan I Don’t Do Nature, 1301PE, Los Angeles Imaging + Imagining California Modern, Orange County Museum of Art, Newport Beach, California L.A. Desire, Galerie Dennis Kimmerich, Düsseldorf Leitmotifs, Palais Delphinal, Saint Donat-sur-l’Herbasse, France The Present: The Monique Zajfen Collection, Stedelijk Museum, Amsterdam Soundwaves: The Art of Sampling, Museum of Contemporary Art San Diego, La Jolla, California Touch My Shadows: New Media from the Goetz Collection in Munich, Center for Contemporary Art Ujazdowski Castle, Warsaw Xmas Hysteria, Galleria Emi Fontana, Milan 2006 Ballerina in a Whirlpool: Works by Isa Genzken, Richard Jackson, Roman Signer, and Diana Thater from the Hauser & Wirth Collection, Kunsthalle Baden-Baden, Germany [catalogue] Beyond Cinema: The Art of Projection, Hamburger Bahnhof - Museum für Gegenwart, Berlin [catalogue] Ecotopia: The Second ICP Triennial of Photography and Video, International Center of Photography, New York [catalogue] Four Thursday Nights: Group Dynamics, Aspen Art Museum, Colorado IDYLLE: Traum und Trugschluss, Sammlung Falckenberg, Phoenix Kulturstiftung, Hamburg [itinerary: Domus Atrium 2002, Salamanca, Spain; National Gallery, Prague] [catalogue] Nature Attitudes, Thyssen-Bornemisza Art Contemporary, Vienna Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York [catalogue] Yes Bruce Nauman, Zwirner & Wirth, New York 2005 Artists’ Books, Revisited, Art Metropole, Toronto [catalogue] Beyond the Painted Horizon, Bakersfield College, Bakersfield, California Die Ordnung der Natur, OK Offenes Kulturhaus Oberösterreich, Oberösterreich, Austria [itinerary: Museum Moderner Kunst - Stiftung Mörlen, Passau, Germany] [catalogue] Guardami: Percezione del video, Palazzo Delle Papesse - Centro Arte Contemporanea, Siena [catalogue] Main Line Collects: Distinctive Choices, Main Line Art Center, Haverford, Pennsylvania The Real Ideal, Millennium Galleries, Sheffield, England The Shape of Colour: Excursions in Colour Field Art, 1950-2005, Art Gallery of Ontario, Toronto [catalogue] Vertiges, Printemps de Septembre à Toulouse, Toulouse, France [catalogue] Water, Air, Earth, Fire. At the origins of life between Art and Science, Palazzo della Borsa, Genoa, Italy Weathervane, Ottawa Art Gallery, Ottawa, Ontario, Canada [itinerary: Oakville Galleries, Oakville, Canada; Galerie de l'UQAM, Université du Québec à Montréal] [catalogue] 2004 Animals, Haunch of Venison, London [catalogue] Ein-leuchten, Museum der Moderne Salzburg, Salzburg, Austria [catalogue] Friedrich Christian Flick Collection im Hamburger Bahnhof, Hamburger Bahnhof - Museum für Gegenwart, Berlin [catalogue] Hypermedia, Orange County Museum of Art, Newport Beach, California Natur ganz Kunst, Museum für Kunst und Gewerbe Hamburg Not Done! (Het Kunstenaarsboek), Museum van Hedendaagse Kunst Antwerpen, Antwerp [catalogue published in 2005] 2003 100 Artists See God, Independent Curators International, New York [itinerary: The Jewish Museum, San Francisco; Laguna Art Museum, Laguna Beach, California; Contemporary Art Center of Virginia, Virginia Beach, Virginia] [catalogue published in 2004] Fast Forward: Media Works from the Goetz Collection, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany [itinerary: Centro Cultural Conde Duque, Madrid] [catalogue] An International Legacy: Selections from Carnegie Museum of Art, Oklahoma City Museum of Art, Oklahoma City, Oklahoma [itinerary: Mobile Museum of Art, Mobile, Alabama; Columbus Museum of Art, Ohio] [catalogue] Of Earth and Sky: Elements in Abstraction, San Diego Museum of Art, California Sitings: Installation Art 1969-2002, Museum of Contemporary Art, Los Angeles 2002 Claude Monet…bis zum Digitalen Impressionismus, Fondation Beyeler, Basel Das Tier in Mir. Die Mensch-Tier-Verwandtschaft in der Zeitgenössischen Kunst, Staatliche Kunsthalle Baden-Baden, Germany Keine Kleinigkeit, Kunsthalle Basel Making Nature, Nikolaj, Copenhagen Contemporary Art Center, Copenhagen [itinerary: Österreichische Galerie Belvedere, Vienna] [catalogue] Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Solomon R. Guggenheim Museum, New York [itinerary: Guggenheim Museum Bilbao] [catalogue published in 2003] Parallels and Intersections, San Jose Museum of Art, California Sculpture Contemporaine, Fonds Régional d’Art Contemporain Rhône-Alpes, Lyon Ten Years, Hauser & Wirth, Zurich Vidéo Topiques: Tours et Retours de l’Art Vidéo, Musée d’Art Moderne et Contemporain, Strasbourg, France [catalogue] 2001 BitStreams, Whitney Museum of American Art, New York [catalogue] Devices of Wonder: From the World in a Box to Images on a Screen, J. Paul Getty Museum, Los Angeles [catalogue] Elusive Paradise: The Millennium Prize, The National Gallery of Canada, Ottawa [catalogue] I© NY, David Zwirner, New York Parkett: Collaborations and Editions Since 1984, The Museum of Modern Art, New York [itinerary: Whitechapel Art Gallery, London] [catalogue] Post-Landscape: Between Nature and Culture, Pomona College Museum of Art, Claremont, California Public Offerings, Museum of Contemporary Art, Los Angeles [catalogue] Wechselstrom (Alternating Current) Part 2, Sammlung Hauser und Wirth, St. Gallen, Switzerland [catalogue] 2000 The American Century: Art and Culture 1900-2000, Part II, Whitney Museum of American Art, New York [catalogue published in 1999] Electronic Images: Videokunst 1965-2000, Villa Merkel, Esslingen, Germany Enclosed & Enchanted, Modern Art Oxford, England [itinerary: Mappin Art Gallery, Sheffield, England] [catalogue] Herausforderung Tier, Städtische Galerie, Karlsruhe, Germany [catalogue] L.A.-ex, Museum Villa Stuck, Munich [catalogue published in 2001] Lasting Legacy: Recent Additions to the Collection, Orange County Museum of Art, Newport Beach, California Making Time: Considering Time as a Material in Contemporary Video and Film, Palm Beach Institute of Contemporary Art, Lake Worth, Florida [itinerary: Hammer Museum, Los Angeles] [catalogue] Sites Around the City: Art and Environment, Arizona State University Art Museum, Tempe, Arizona [catalogue] Thinking Space: Selections from the Ann & Marshall Webb Collection, Art Gallery of Hamilton, Canada [catalogue] To Infinity and Beyond: Editions for the Year 2000, Brooke Alexander Editions, New York 1999 Art/Journalism, Rosamund Felsen Gallery, Los Angeles Carnegie International 1999/2000, Carnegie Museum of Art, Pittsburgh [catalogue] Collection FRAC Rhônes-Alpes, Fonds Régional Art Contemporain - Rhône-Alpes, Institute d’art contemporain, Villeurbanne, France Gallery Artists Summer Show, David Zwirner, New York Searchlight: Consciousness at the Millennium, CCA Wattis Institute for Contemporary Arts, San Francisco (curated by Larry Rinder) [catalogue] Trouble Spot. Painting, Museum van Hedendaagse Kunst Antwerpen, Antwerp (curated by Luc Tuymans) [catalogue] 1998 Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, Kunsthalle Zürich Five Years, 1993-1998, David Zwirner, New York Light x Eight: The Hanukkah Project, The Jewish Museum, New York Span: Jessica Bronson, Mariko Mori, Diana Thater, Artspace, Auckland, New Zealand [itinerary: Govett-Brewster Art Gallery, New Plymouth, New Zealand; Centre for Contemporary Photography, Melbourne; Dunedin Public Art Gallery, Dunedin, New Zealand] [catalogue] View One, Mary Boone Gallery, New York 1997 1997 Whitney Biennial, Whitney Museum of American Art, New York [catalogue] Between Lantern and Laser, Henry Art Gallery, University of Washington, Seattle Multiple Identity: American Art from the Whitney Museum 1975-1995, Castello di Rivoli, Turin [Museo d’Arte Contemporanea, Milan; Kunstmuseum Bonn, Germany] [catalogue] Skulptur. Projekte in Münster 1997, Münster [catalogue] Sunshine & Noir: Art in L.A. 1960-1997, Louisiana Museum of Modern Art, Humlebæk, Denmark [itinerary: Kunstmuseum Wolfsburg, Germany; Castello di Rivoli, Turin; Hammer Museum, Los Angeles] [catalogue] Trade Routes: History and Geography, 1997 Johannesburg Biennale, Johannesburg [catalogue] 1996 Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, National Gallery - Alexandros Soutzos Museum, Athens [catalogue] Being and Time: The Emergence of Video Projection, Albright-Knox Art Gallery, Buffalo, New York [itinerary: Cranbrook Art Museum, Bloomfield Hills, Michigan; Portland Art Museum, Oregon; Contemporary Arts Museum, Houston, Texas; SITE Santa Fe, Santa Fe, New Mexico] [catalogue] Jurassic Technologies Revenant: 10th Biennale of Sydney, Sydney [catalogue] Painting: The Extended Field, Magasin 3 Stockholm Konsthall [itinerary: Rooseum Center for Contemporary Art, Malmö, Sweden] [catalogue] Someone else with my fingerprints, David Zwirner, New York [itinerary: Galerie Hauser & Wirth, Zurich; August Sander Archiv/SK Stiftung Kultur, Cologne; Kunstverein München, Munich; Kunsthaus Hamburg] (curated by Wilhelm Schürmann) [catalogue] True. BLISS., Los Angeles Contemporary Exhibitions [catalogue] Wunderbar, Kunstverein Hamburg 1995 1995 Whitney Biennial, Whitney Museum of American Art, New York [catalogue] Beyond the Borders: Gwangju Biennale, Gwangju, South Korea [catalogue] Biennale d’Art Contemporain de Lyon, Lyon [catalogue] Limiares/Threshold: Recent American Sculpture, Fundação de Serralves, Porto, Portugal [catalogue] Surroundings, Museum Fridericianum Kassel [catalogue] 1994 Pure Beauty, The American Center, Paris [itinerary: Museum of Contemporary Art, Los Angeles] Summer Group Show, David Zwirner, New York Temporary Translation(s): Sammlung Schürmann, Deichtorhallen Hamburg, Haus der Photographie - Aktuelle Kunst, Hamburg [catalogue] 1993 Emblazoned Ciphers of the Visible, California State University, Los Angeles Sugar ‘n’ Spice, Long Beach Museum of Art, Long Beach, California The Time, Anderson O’Day Gallery, London 1992 Into the Lapse, 1301, Santa Monica, California Very, Very, Very, Shoshana Wayne Gallery, Santa Monica, California 1991 Rhythms of Earth and Water, Los Angeles Airport International Terminal 1990 Heart in Mouth, Fahey/Klein Gallery, Los Angeles 2007 Virtuosic Siblings: Berlin - LA Festival of Film/Art, Villa Aurora, Los Angeles [itinerary: Goethe Institut Los Angeles,; REDCAT Roy and Edna Disney/CalArts Theater, Los Angeles] 2006-2008 JUMP, a collaboration with T. Kelly Mason, Tate Modern, London; Creative Artists Agency, Los Angeles; Whitney Biennial 2006 Whitney Museum of American Art, New York; Aspen Art Museum, Colorado; David Zwirner, New York 1998-2000 The future that almost wasn’t, a collaboration with T. Kelly Mason, Artpace San Antonio, Texas; Bayerisches Staatsschauspiel/Marstall, Munich; Los Angeles Contemporary Exhibitions 2009 DIYPDC, The Pacific Design Center, West Hollywood, California 2007 …drawling, stretching and fainting in coils…, FestSpiele + 2007, Pinakothek der Moderne and Nationaltheater, Munich [catalogue] 1999 A Living Theatre, Salzburger Kunstverein, Salzburg, Austria [catalogue] 1997 Places that are elsewhere, David Zwirner, New York 1996 Persona, The Renaissance Society at the University of Chicago [itinerary: Kunsthalle Basel] [catalogue] Sampler 2 - More Videos from Southern California, David Zwirner, New York; included in the exhibition Sunshine & Noir: Art in L.A. 1960-1997, Louisiana Museum of Art, Humlebæk, Denmark [itinerary: Castello di Rivoli, Turin; Hammer Museum, Los Angeles; Kunstmuseum Wolfsburg, Germany] [catalogue] 2012 Bank of America Plaza, Los Angeles 2007-2008 California Institute of Technology, Pasadena, California 2005-2007 The Colburn School, Los Angeles, California 2003-2005 Shaw Tower, Vancouver, British Columbia, Canada 2010 Diana Thater: Between Science and Magic. Text by Helen Varola. Interview with the artist by Pernilla Holmes. Santa Monica Museum of Art, California (exh. cat.) 2009 Diana Thater: gorillagorillagorilla. Texts by Bergit Arends, Adam Budak, Peter Pakesch, Larry Rickels, and Jason Smith. Verlag der Buchhandlung Walther König, Cologne (exh. cat.) Diana Thater: Tigers and Other People. Texts by Pernilla Holmes and Matthew Rowe. Towner Art Gallery, Eastbourne, England (exh. pub.) 2007 OSRAM Art Projects. Text by Christian Schoen. OSRAM Art Projects, Munich (exh. cat.) 2005 Diana Thater: Dreamland. Text by Diana Thater. David Zwirner and Zwirner & Wirth, New York (exh. cat.) 2004 Diana Thater: Broken Circle. Text by Anne Hoormann. Museum für Gegenwartskunst Siegen, Siegen, Germany (exh. cat.) Diana Thater: Keep the Faith. A Survey Exhibition. Texts by Barbara Engelbach, Wulf Herzogenrath, and Diana Thater. Kunsthalle Bremen, Bremen, Germany and Museum für Gegenwartskunst Siegen, Siegen, Germany (exh. cat.) 2003 Diana Thater: Transcendence is expansion and contraction at the same time. Edited by Christiane Schneider and Diana Thater. Interview with the artist by Christiane Schneider. Haunch of Venison, London (exh. cat.) 2002 knots + surfaces. Texts by Lynne Cooke, Michael Govan, Karen Kelly, and Akira Lippit. Dia Center for the Arts, New York (exh. cat.) 2000 Delphine. Interview with the artist by Carol Reese. Vienna Secession (exh. cat.) 1999 Diana Thater: The best outside is the inside. Saint Louis Art Museum, St. Louis, Missouri (exh. cat.) 1998 The best animals are the flat animals - the best space is the deep space. Texts by Amelia Jones, Carol McMichael Reese, Diana Thater, and Daniela Zyman. MAK Center for Art + Architecture, Los Angeles (exh. cat.) The best space is the deep space, Time-Based Media 1998-99: Diana Thater. Allen Memorial Art Museum, Oberlin, Ohio (exh. cat.) Projects 64. Diana Thater: The best animals are the flat animals. The Museum of Modern Art, New York (exh. pub.) 1997 Temporary Contemporary. Texts by Iwona Blazwick, Anna Pepperall, Paul Usherwood, and Mike White. Gateshead Metropolitan Borough Council Libraries and Arts Services, Gateshead, England (exh. cat.) 1996 The individual as a species: the object as a medium, Diana Thater: Selected Works 1992-1996. Interview with the artist by Kathryn Kanjo. Kunsthalle Basel (exh. cat.) 1995 China. Texts by Colin Gardner, Timothy Martin, and Diana Thater. The Renaissance Society at the University of Chicago and Le Creux de L’Enfer - Centre d’Art Contemporain à Thiers, Thiers, France (exh. cat.) 1994 Witte de With: Cahiers, No. 3. Edited by Barbara van Kooij. Texts by Timothy Martin and Diana Thater. Witte de With, Center for Contemporary Art, Rotterdam 2012 Riotous Baroque/Deftig Barock. From Cattelan to Zurbarán - Tributes to Precarious Vitality. Texts by Bice Curiger, Elfriede Jelinek, Eileen Myles, and Raoul Vaneigem. Kunsthaus Zürich and Snoeck, Cologne (exh. cat.) 2011 Alice in Wonderland: Through the Visual Arts. Texts by Gillian Beer, Alberto Manguel, Carol Mavor, Christoph Benjamin Schulz, and Edward Wakening. Tate Publishing, London (exh. cat.) Barroco Nova: Neo Baroque Moves in Contemporary Art. Texts by Josée Drouin-Brisebois, Susan Edelstein, and Patrick Mahon. Museum London, Canada (exh. cat.) 2010 Anonymous Sculpture: Video and Form in Contemporary Art. Edited by Beate Ermacora and Sylvia Martin. Verlag für moderne Kunst Nürnberg, Nuremberg, Germany (exh. cat.) Contemporary Magic: A Tarot Deck Art Project. The National Arts Club, New York (exh. cat.) 2009 Art of Projection. Edited by Christopher Eamon, Stan Douglas. Texts by Mieke Bal, Beatriz Colomina, Thomas McDonough, Gregor Stemmrich. Hatje Cantz, Ostfildern-Ruit, Germany The Essential Guide. Edited by Robert V. Sharp, Elizabeth Stepina, Susan E. Wiedemayer. The Art Institute of Chicago Expressions: From Darwin to Contemporary Arts. Texts by Bergit Arends, Charles Darwin, Gautier Deblobde, Jeremy Deller, Matthew King. Natural History Museum, London (exh. cat.) Film, Video, and New Media at the Art Institute of Chicago. Texts by Lisa B. Dorin and James Rondeau. Yale University Press, New Haven, Connecticut In-Finitum. Texts by Giandomenico Romanelli, Francesco Poli, Nico Van Hout, Eddi De Wolf, Heinz-Norbert Jocks, Tatsuro Miki, Axel Vervoordt. Vervoordt Foundation, Ghent (exh. cat.) 2008 California Video: Artists and Histories. Edited by Glenn Phillips. Texts by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, et al. Getty Publications, Los Angeles (exh. cat.) …drawling, stretching and fainting in coils… Texts by Kent Nagano, Bernart Schwenk, Diana Thater. Pinakothek der Moderne and Nationaltheater FestSpiele + 2007, Munich (exh. cat.) [exhibition curated by the artist] Human/Nature: Artists Respond to a Changing Planet. Texts by Hugh M. Davies, Stephanie Hanor, Lucía Sanromán, Lucinda Barnes, et al. Museum of Contemporary Art San Diego, California and University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, California (exh. cat.) Southern Exposure: Works from the Collection of the Museum of Contemporary Art, San Diego. Text by Rachel Kent. Museum of Contemporary Art, Sydney (exh. cat.) This is Not to be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles. Texts by Ann Goldstein, Rebecca Morse, Paul Schimmel. Museum of Contemporary Art, Los Angeles (exh. cat.) 2006 Ballerina in a Whirlpool: Works by Isa Genzken, Richard Jackson, Roman Singer, and Diana Thater from the Hauser & Wirth Collection. Texts by Fritz Emslander, Michaela Unterdörfer, Karolin Kober, Sabine Sarwa, Barbara Wagner. Kunsthalle Baden-Baden, Germany (exh. cat.) Beyond Cinema: The Art of Projection. Texts by Stan Douglas, Christopher Eamon, Anette Hüsch, Joachim Hunter, Gabriele Knapstein, Britt Schlehahn. Hatje Cantz, Ostfildern, Germany (exh. cat.) Ecotopia: The Second ICP Triennial of Photography and Video. Texts by Brian Wallis, Edward Earle, Christopher Phillips, Carol Squiers. International Center of Photography, New York (exh. cat.) IDYLLE: Traum und Trugschluss. Text by Oliver Zybok. Sammlung Falckenberg, Phoenix Kulturstiftung, Hamburg (exh. cat.) Video Art. Texts by Sylvia Martin, Uta Grosenick. Taschen, Cologne Whitney Biennial 2006: Day for Night. Texts by Chrissie Iles, Philippe Vergne. Whitney Museum of American Art, New York (exh. cat.) 2005 Artists’ Books, Revisited. Texts by Ann Dean, Michael Krebber. Art Metropole, Toronto and Vienna Secession (exh. cat.) Die Ordnung der Natur. Texts by Martin Sturm, Hans-Peter Wipplinger. Folio Verlag, Vienna (exh. cat.) Guardami: Percezione del video. Edited by Gli Ori. Palazzo Delle Papesse - Centro Art Contemporanea, Siena (exh. cat.) Not Done! (Het Kunstenaarsboek). Texts by Stefan Hertmans, Dara Birnbaum, Peter Downsbrough, Lawrence Weiner, et al. Imschoot Uitgevers, Ghent (exh. cat.) pressPLAY: Contemporary Artists in Conversation. Texts by Juan Vicente Aliaga, Michael Archer, Carlos Basualdo, Daniel Birnbaum, et al. Phaidon Press, London Recent Pasts: Art in Southern California from the 1990s to Now. Texts by Connie Butler, Brian Butler, Matthew Coolidge, Dennis Cooper, Mike Davis, Dave Muller, Diana Thater, Frances Stark. JRP|Ringier, Zurich The Shape of Colour: Excursions in Colour Field Art, 1950-2005. Texts by Mark Cheetham, Robert Hobbs, Sarah K. Rich, Raphael Rubinstein. Art Gallery of Ontario, Toronto (exh. cat.) Vertiges. Text by Pernilla Holmes. Printemps de Septembre à Toulouse, Toulouse, France (exh. cat.) Weathervane. Texts by Karen Love, Elizabeth May. Ottawa Art Gallery, Canada and Oakville Galleries, Oakville, Canada (exh. cat.) 2004 100 Artists See God. Texts by John Baldessari, Meg Cranston, Thomas McEvilley. Independent Curators International, New York (exh. cat.) Animals. Text by Christiane Schneider. Haunch of Venison, London (exh. cat.) Dicen que finjo o miento. Central de Arte, Guadalajara World Trade Center, Guadalajara, Mexico Ein-leuchten. Texts by Margrit Franziska Brehm, Daniela Zyman, Agnes Husslein, Francesca von Habsburg, Peter Weibel, et al. Museum der Moderne Salzburg, Salzburg, Austria and Thyssen-Bornemisza Art Contemporary, Vienna (exh. cat.) Friedrich Christian Flick Collection im Hamburger Bahnhof. Texts by Eugen Blume, Joachim Jäger, Gabriele Knapstein. Junius, Hamburg (exh. cat.) Künstler. Kritisches Lexikon der Gegenwartskunst. Text by Friederike Wappler. Weltkunst/Bruckmann, Munich Le Creux de l’Enfer 1988-2002. Text by Laurence Gateau. Le Creux de l’Enfer - Centre d’Art Contemporain à Thiers, Thiers, France Parkett: 20 Years of Artists’ Collaborations. Text by Mirjam Varadinis. Parkett Publishers, Zurich 2003 Fast Forward: Media Art Sammlung Goetz. Edited by Ingvild Goetz and Stephan Urbaschek. Texts by Sabine Himmelsbach, Mark Nash, Peter Weibel, Stephan Urbaschek, et al. Kunstverlag Ingvild Goetz, G.m.b.H., Hamburg (exh. cat.) ICI in 2003. Edited by Stephen Robert Frankel. Independent Curators International, New York An International Legacy: Selections from Carnegie Museum of Art. Edited by Sheryl Conkelton, Elizabeth Thomas. American Federation of Arts, New York (exh. cat.) Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections. Texts by Lisa Dennison, Nancy Spector, Joan Young, John Hanhardt. Solomon R. Guggenheim Museum, New York (exh. cat.) 2002 Art Now. Edited by Burkhard Riemschneider and Uta Grosenick. Taschen, Cologne Making Nature. Text by Dieter Buchhart. Nikolaj, Copenhagen Contemporary Art Center, Copenhagen (exh. cat.) Vidéo Topiques: Tours et Retours de l’Art Vidéo, 2002. Texts by Patrick Javault, Georges Heck, Maurizio Lazzarato, et al. Musées de Strasbourg, Strasbourg, France (exh. cat.) 2001 BitStreams. Texts by Lawrence Rinder, Debra Singer. Whitney Museum of American Art, New York (exh. cat.) Devices of Wonder: From the World in a Box to Images on a Screen. Texts by Barbara Maria Stafford, Frances Terpak, Isotta Poggi. J. Paul Getty Museum, Los Angeles (exh. cat.) Elusive Paradise: The Millennium Prize. Texts by Diana Nemiroff, Johanne Sloan. The National Gallery of Canada, Ottawa (exh. cat.) Foci. Interviews with Ten International Curators. Text by Carolee Thea. ApexArt Curatorial Program, New York Intermedia - Dialog der Medien. Texts by Barbara Engelbach, Gundolf Winter. Museum für Gegenwartskunst Siegen, Siegen, Germany L.A.-ex. Edited by Christa Häusler, Elisabeth Schweeger. Texts by Andrew Gellatly, Peter Kroher. Hatje Cantz, Ostfildern, Germany (exh. cat.) Parkett: Collaborations and Editions Since 1984. Texts by Deborah Wye, Susan Tallman. Parkett Publishers, Zurich (exh. cat.) Public Offerings. Edited by Howard Singerman. Museum of Contemporary Art, Los Angeles (exh. cat.) Wechselstrom (Alternating Current) Part 2. Edited by Michaela Unterdorfer. Sammlung Hauser und Wirth, St. Gallen, Switzerland (exh. cat.) 2000 Bauen und Wohnen: Grafikeditione Deutsche Bank Bauspar AG 1993 bis 1999. Texts by Hellmut Seemann, Josefine Raab, Hans Wielens, Margareta Konze. Deutsche Bank Bauspar AG, Frankfurt Enclosed & Enchanted. Texts by Kerry Brougher, Michael Tarantino. Modern Art Oxford, England (exh. cat.) Herausforderung Tier. Texts by Regina Haslinger, Durs Grünbein, Elfriede Jelinek, Ilya Kabakov, et al. Städtische Galerie, Karlsruhe, Germany (exh. cat.) Making Time: Considering Time as a Material in Contemporary Video and Film. Edited by Amy Cappellazzo, Adriano Pedrosa, Peter Wollen. Palm Beach Institute of Contemporary Art, Lake Worth, Florida (exh. cat.) Sites Around the City: Art and Environment. Texts by Heather Sealy Lineberry, Ronald Jones. Arizona State University Art Museum, Tempe, Arizona (exh. cat.) Thinking Space: Selections from the Ann & Marshall Webb Collection. Texts by Shirley Madill, Loretta Yarlow. Art Gallery of Hamilton, Canada (exh. cat.) 1999 The American Century: Art and Culture 1950-2000. Text by Lisa Phillips. Whitney Museum of American Art, New York (exh. cat.) Art at the Turn of the Millennium. Edited by Burkhard Riemschneider, Uta Grosenick. Taschen, Cologne Carnegie International 1999/2000. Text by Madeleine Grynsztejn. Carnegie Museum of Art, Pittsburgh (exh. cat.) Carnegie International 1999/2000: Artists’ Reader. Text by Madeleine Grynsztejn. Carnegie Museum of Art, Pittsburgh Consciousness Cinema: An Art of Its Time. Texts by Steve Anker, Irina Leimbacher, David Sherman. CCAC Institute, San Francisco Searchlight: Consciousness at the Millennium. Edited by Lawrence Rinder. Thames & Hudson, New York (exh. cat.) Trouble Spot. Painting. Edited by Narcisse Tordoir, Luc Tuymans, Roland Van de Sompel.Museum van Hedendaagse Kunst Antwerpen, Antwerp (exh. cat.) 1998 Cream (10 Curators, 10 Writers, 100 Artists: Contemporary Art in Culture). Texts by Francesco Bonami, Dan Cameron, Okwui Enwezor, Hou Hanru, Matthew Higgs, Susan Kandel, et al. Phaidon Press, London Span: Jessica Bronson, Mariko Mori, Diana Thater. Text by Giovanni Intra. Govett-Brewster Art Gallery, New Plymouth, New Zealand (exh. cat.) 1997 1997 Whitney Biennial. Texts by David A. Ross, Douglas Blau, et al. Whitney Museum of American Art, New York (exh. cat.) Art Recollection. Artists’ Interviews and Statements in the Nineties. Texts by Diana Thater, Otto Neumaier. Printed Matter, Inc., Ravenna, Italy Multiple Identity: Amerikanische Kunst 1975-1995 aus dem Whitney Museum of American Art. Texts by Johanna Drucker, Donald Kuspit, Volker Adolphs. Kunstmuseum Bonn, Germany (exh. cat.) Skulptur. Projekte in Münster 1997. Edited by Klaus Bußmann, Kasper König, Florian Matzner. Verlag Gerd Hatje, Münster (exh. cat.) Sunshine & Noir: Art in L.A. 1960-1997. Texts by Lars Nittve, William R. Hackman, Mike Davis, Peter Schjeldahl, Laura Cottingham, Terry R. Myers, et al. Louisiana Museum of Art, Humlebæk, Denmark (exh. cat.) Trade Routes: History and Geography, 1997 Johannesburg Biennale. Texts by Okwui Enwezor, Francesco Bonami, et al. Greater Johannesburg Metropolitan Council, Johannesburg and the Prince Claus Fund of Culture and Development,The Hague (exh. cat.) 1996 Art at the End of the 20th Century: Selections from the Whitney Museum of American Art. Text by Johanna Drucker. Whitney Museum of American Art, New York (exh. cat.) Being and Time: The Emergence of Video Projection. Text by Marc Mayer. Albright-Knox Art Gallery, Buffalo, New York (exh. cat.) Echoes: Contemporary Art at the Age of Endless Conclusions. Edited by Francesco Bonami. Texts by Francesco Bonami, Jeffrey Rian, Jen Budney, Keith Seward, Neville Wakefield, Mark Van de Walle. The Monacelli Press, New York Jurassic Technologies Revenant: 10th Biennale of Sydney. Texts by Lynne Cooke, Jonathan Crary, Elisabeth Sussman, et al. Art Gallery of New South Wales, Sydney (exh. cat.) Painting: The Extended Field. Text by Sven-Olov Wallenstein. Rooseum Center for Contemporary Art, Malmö, Sweden (exh. cat.) Someone else with my fingerprints. Texts by Hanjo Berressem and Wilhelm Schurmann. Salon Verlag, Cologne (exh. cat.) True. BLISS. Texts by Julie Joyce, David A. Greene. Los Angeles Contemporary Exhibitions (exh. cat.) 1995 1995 Whitney Biennial. Texts By Klaus Kertess, John Ashbery, Gerald M. Edelman, Lynne Tillman, et al. Whitney Museum of American Art, New York (exh. cat.) Beyond the Borders: Gwangju Biennale. Texts by Song Eon-jong, Lim Young-bang, Kathy Halbreich, Clive Adams, et al. Gwangju Biennale Foundation, Gwangju, South Korea (exh. cat.) Biennale d’Art Contemporain de Lyon. Texts by Thierry Prat, Thierry Raspail, Georges Rey. Musée d’Art Contemporain de Lyon (exh. cat.) Limiares/Threshold: Recent American Sculpture. Texts by Dan Cameron, Fernando Pernes. Fundação de Serralves, Porto, Portugal (exh. cat.) Surroundings. Text by Pia Witzmann. Museum Fridericianum, Kassel (exh. cat.) 1994 Optimism. Hirsch Farm Project. Text by Mitchell Kane. Hirsch Foundation, Northbrook, Illinois Temporary Translation(s): Sammlung Schürmann. Text by Zdenek Felix. Deichtorhallen Hamburg, Haus der Photographie - Aktuelle Kunst, Hamburg (exh. cat.) 2008 …drawling, stretching and fainting in coils…. Edited by Diana Thater. Texts by Diana Thater, Kent Nagano, Bernhart Schwenk. Bayerische Staatsoper and Pinakothek der Moderne, Munich 2000 Parkett no. 60. Parkett Publishers, Zurich [edition of 150 DVDs] 1999 A Living Theatre. Edited by Diana Thater. Text by Diana Thater. Salzburger Kunstverein, Salzburg, Austria 1996 Electric Mind. Edited by Diana Thater. Texts by Diana Thater, Kathryn Kanjo, and Pat Murphy. Imschoot Uitgevers, Ghent 2012 Thater, Diana. "It Speaks to Me: Diana Thater on Nam June Paik's 'Video Flag Z' at LACMA." latimesblogs.latimes.com (January 25, 2012) [online] 2011 Thater, Diana. “Adam D. Miller.” Art Review (March 2011): 88 2008 Thater, Diana. “Diana Thater in New York.” artinfo.com (January 18, 2008) [ill.] [online] Thater, Diana. Pinakothek der Moderne and Nationaltheater. “Anthropodenial.” …drawling, stretching and fainting in coils…(2008) 2005 Thater, Diana. University of California Press and Dia Art Foundation. “A Man Becomes Unstuck in Time in the Film That Became a Classic!” Robert Smithson: Spiral Jetty (2005) 2002 Thater, Diana. “Diana Thater: Hotlist.” Artforum (February 2002): 28 1998 Thater, Diana and Otto Neumaier. “Wer sind wir?” Noema Art Journal no. 49 (October/November 1998): 46-51 Thater, Diana. Phaidon Press. “Diana Thater in conversation with Stan Douglas.” Stan Douglas (1998): 6-29 1997 Thater, Diana and T. Kelly Mason. “The future that almost wasn’t.” Transcript 2, no. 3 (1997): 38-43 Thater, Diana and Otto Neumaier. Danilo Montanari, Exit and Zona Archives Editori. “Who Are We?” Art Recollection: Artists’ Interviews and Statements in the Nineties (1997) 1996 Thater, Diana and Hamza Walker. The Renaissance Society at the University of Chicago and Kunsthalle Basel. “Gay…Black...Female… Whatever.” Persona (1996) 1994 Thater, Diana and Garret Savage. “The Structure of Meaning.” FOCUS 14 (1994): 19-31 SELECTED BIBLIOGRAPHY 2012 Finkel, Jori. "MOCA Mobilization is back in action." latimes.com (July 24, 2012) [online] Halperin, Julia. "Artist-Led Group MOCA Mobilization Is Back, And It Has a List of Demands." artinfo.com (July 24, 2012) [online] Kennedy, Randy. "Artist Group Petitions Museum of Contemporary Art in Los Angeles." nytimes.com (July 25, 2012) [online] McGarry, Kevin. "Out There|The Big Frieze." tmagazine.blogs.nytimes.com (May 4, 2012) [ill.] [online] 2011 Hubbard, Sue. “Diana Thater: Chernobyl.” 3quarksdaily.com (February 7, 2011) [ill.] [online] Marmion-Warr, Alana. "Diana Thater: Chernobyl." dazeddigital.com (January 26, 2011) [ill.] [online] "Exhibition of the week - Chernobyl." esquire.co.uk (January 26, 2011) [ill.] [online] 2010 Ayers, Robert. “Diana Thater.” ARTnews (May 2010): 112 [ill.] Drohojowska-Philp, Hunter. “Ann Goldstein takes her MOCA learning to Amsterdam.” latimes.com (December 12, 2010) [online] Gilbert-Rolfe, Jeremy. “La belleza: un conflicto en desuso.” Exit Express no. 53 (Summer 2010): 18-28 [ill.] Kawamoto, Wayne. “A Magic and Modern Mash-Up.” magic.about.com (January 20, 2010) [ill.] [online] McGarry, Kevin. “Last Chance: The Magic of Diana Thater.” interviewmagazine.com (March 12, 2010) [ill.] [online] McHugh, Julia. “SOUTH ON 101: Free and fun.” santamariatimes.com (February 5, 2010) [online] Neil, Jonathan T. D. “Diana Thater: Between Science and Magic.” Art Review (April 2010): 112 [ill.] Simonson, Lily. “This Magic Moment: Diana Thater, Jeffrey Wells at the Santa Monica Museumof Art.” pbs.org/art21 (March 4, 2010) [ill.] [online] Walker, Alissa. “New MOCA Director Deitch Will Close His Gallery But That Doesn’t Quiet Angry Art Mobs.” fastcompany.com (January 11, 2010) [online] Willis, Holly. “Diana Thater: Between Science and Magic.” Blur + Sharpen on kcet.org (February 28, 2010) [ill.] [online] 2009 Sansone, Valentina. “Diana Thater at Kunsthaus Graz.” Flash Art no. 265 (March-April 2009): 88 [ill.] Sholis, Brian. “Previews: Diana Thater: gorillagorillagorilla.” Artforum (January 2009): 136 [ill.] Ward, Ossian. “After Darwin.” Time Out London (July 16, 2009) [ill.] Ziegler, Ulf Erdmann. “Diana Thater überlässt das Kunsthaus Graz Gorillas und ihren üblichen Verrichtungen.” Monopol (April 2009) [ill.] “Diana Thater: gorillagorillagorilla.” The Art Newspaper (March 2009): 58 [ill.] “Graz, Austria: Diana Thater.” Mousse Magazine (April/May 2009) [ill.] Discourse: Journal for Theoretical Studies in Media and Culture (Winter-Spring 2009) [cover] 2008 Ayers, Robert. “Weekend Picks: Diana Thater in New York.” artinfo.com (January 18, 2008) [ill.] [online] Buckley, Annie. “Picks: Diana Thater at 1301PE.” artforum.com (October 3, 2008) [ill.] [online] Duffy, Robert W. “Chess Club Makes Bold Move into West End Quarters.” St. Louis Beacon (July 15, 2008) [ill.] Govan, Michael. “The Esquire Museum of Contemporary Art.” Esquire (October 2008): 298-301 Hudson, Suzanne. “Diana Thater at David Zwirner.” Artforum (March 2008): 359-360 [ill.] Kantor, Jordan. “Preview: California Video.” Artforum (January 2008): 135 Kerr, Merrily. “Diana Thater: Here is a Text About the World.” Time Out New York (January 31 - February 6, 2008): 63. [ill.] Masters, H.G. “Diana Thater: Here is a text about the world…” flavorpill.com (January 10, 2008) [ill.] [online] Myers, Holly. “Tapeheads: California Video.” Art Review (March 2008): 38 Spears, Dorothy. “The Ritual of Chess, a Decoder of Life.” The New York Times (January 13, 2008): AR29 [ill.] Wagley, Catherine. “Perfect Deceit: Diana Thater.” artslant.com (October 13, 2008) [ill.] [online] “We Asked Diana Thater a Few Questions.” Glare no. 3 (Spring 2008): 26 [ill.] 2007 Barron Bailly, Austen. “Artist-Curators and Art Historian-Curators at the Edge: How the ‘Modern West’ Reveled Boundaries of the Curatorial Practice.” Invisible Culture: An Electronic Journal for Visual Culture no. 11 (2007) [ill.] Connah, Roger. “Am Punkt Null?” Stadt Bauwelt (June 2007): 60-79 [ill.] Haithman, Diane. “LACMA Invites Artists in for a Chat.” Los Angeles Times (January 12, 2007) Karcher, Eva. “Ab mit euren Köpfen: Alice III: Diana Thater’s Ausstellung für ‘Festpiel.’” Suddeutsche Zeitung no. 148 (June 30 - July 1, 2007): 14 Sonna, Birgit. “All About Alice.” TAKT (June 2007): 38-41 [ill.] “Touch my Shadows.” Warsaw Voice (January 24, 2007) “Flores/Flowers.” EXIT no. 28 (November 2007/January 2008): 148-149 2006 Berwick, Carly. “Reviews: UP NOW.” ARTnews (May 2006): 156 Fortnam, Joanna. "Art in the Garden: Wall Flowers." Garden Design (June/July 2006) [ill.] Schjeldahl, Peter. “Critic’s Notebook.” The New Yorker (March 20, 2006): 34 Smith, Roberta. “Art Review - The Body, Electric: Text and, Yes, Videotape.” The New York Times (August 4, 2006) 2005 Avgikos, Jan. “Diana Thater.” Artforum (April 2005): 186 Bürklin, Heidi and Charles Rump. “Diana Thater in der Galerie Haunch of Venison.” Die Welt (September 17, 2005): 24 [ill.] Carrier, David. “Reviews: Diana Thater.” Tema Celeste no. 109 (May/June 2005): 75-76 Ho, Christopher K. “Diana Thater: Continuous Contiguous.” Modern Painters (March 2005): 99 Kunitz, Daniel. “Publisher’s catalogue.” Art Review (November 2005): 126-131 MacIntyre, Jeff. “Going Out: Architecture: A New Beacon at Shore.” The Globe and Mail (July 15, 2005): R5 Robinson, Walter. “Weekend Update.” artnet.com (February 15, 2005) [online] Scott, Andrea K. “Ah, Wilderness: Nature Meets Culture in Diana Thater’s Installations.” Time Out New York (January 20-26, 2005): 64-65 Smith, P.C. “Diana Thater at David Zwirner and Zwirner & Wirth.” Art in America (May 2005): 160 Vering, Jan. “Video Ist Tot, Es Lebe die Kunst.” Westfälische Rundschau (March 19, 2005) [ill.] “Diana Thater.” The New Yorker (February 7, 2005): 17 “Five Best Exhibitions: Diana Thater, Haunch of Venison, London.” The Independent (September 23, 2005): 53 2004 Albrecht, Alexandra. “Alles fließt und leuctet.” Weser Kurier, Wochen Journal (April 8-14, 2004) Beßling, Rainer. “Berauschende Farbräume.” foyer: das Kulturjournal für Bremen und Nordwesten no. 54 (March 15 - May 15, 2004 [ill.] Beßling, Rainer. “Von der Inszenierung des Natürlichen.” Verdener Aller-Zeitung (March 23, 2004) Blecher, Helmut. “Videobetrachtungen in unendlichen Raum.” Westfalenpost (March 19, 2004) Cartier, Stephan. “Das Draußen als Teil der Kunst Drinnen.” Weser Kurer (March 20, 2004) Claus, Jürgen. “Diana Thater Löst den White Cube Auf.” Kunsteitung (March 2004) Cooke, Lynne. “Best of 2004: 13 Top Tens.” Artforum (December 2004): 158 Komm, Sabine. “Karibische Delfine Schwimmen Durchs Museum.” Harlongerblatt (March 25, 2004) Laukötter, Frank. “Diana Thater: Keep the faith.” punkt: Kunst im Nordwesten no. 66 (2004) Lüddermann, Stefan. “Ein rasanter Ritt durch die Wellen.” Neue Osnabrücker Zeitung (April 14, 2004) Mensing, Roman. “Wechserwirkung alter und neuer Median.” Die Sparkassen Zeitung (March 19, 2004) Michalski, Ina. “Diana Thater: ‘Delphine.’” Bremer: Die Stadtillustrierte (March 2004) Myers, Julian. “Sitings: Installation Art 1969-2002.” Frieze no. 84 (Summer 2004): 128 Posca, Claudia. “Die mit den Pferden Filmt.” Neue Ruhr Zeitung (June 10-11, 2004) Rosenau, Mirja. “Wildpferde, abgerichtet zu Wildpferden.” Frankfurter Rundschau (April 3, 2004) Schossig, Rainer B. “Es ist hier heller als man denkt.” Kurier (April 4, 2004) Schröder, Ralf. “Heute vorgestellt: ‘Siegen makes me work.’” Hallo Siegen (March 18, 2004) Stoeber, Michael. “Michael Stoeber über Diana Thater.” Artist Kunstmagazine no. 59 (February 2004): 42-47 Stürzer, Anne. “Die mit Delfinen tanzt.” Nordsee Zeitung (May 8-9, 2004) von Helmut, Blecher. “Videobetrachtungen im unendlichen Raum.” Westfalenpost (March 19, 2004) “‘Bleib dir treu’ - eine Position.” Siegener Zeitung (January 9, 2004) [ill.] “Diana Thater: Ausstellung in Siegen und Bremen.” Siegener Zeitung (February 20, 2004) “Diana Thater. Keep the faith.” Mix Bremen (May 2004): 39 “Diana Thater - Videokunst.” Wesermarsch Magazin (April 2004) “Diana Thater: ‘Zu einem Museum gehört für mich unbedingt die Stille.’” Siegener Rundschau (March 19, 2004) “Die mit dem Licht Tanzt.” Taz Bremen (March 22, 2004) [ill.] “Kalifornische Videos in Bremen und Siegen.” Nordwest Zeitung (February 19, 2004) “Kunst - Achse Bremen - Siegen.” Westfalenpost Siegerländer Morgenzeitung (March 1, 2004) “Meditative Videoprojektionen: Natur als Spiegel der menschlichen Kultur.” Ludswigburger Kreiszeitung (March 23, 2004) [ill.] “Natur zeigt sich als Kulturspiegel.” Waldeckische Landeszeitung (March 20, 2004) [ill.] “Über die Wände” Siegener Zeitung.” (March 25, 2004) “Verstörend schöne Naturbilder.” Schweriner Volkszeitung (March 26, 2004) [ill.] “Videokunst von Diana Thater.” Bremen Magazin no. 4 (2004) “Wechselwirkung alter und neuer Medien.” Die Sparkassenzeitung (March 19, 2004) “‘Wilder’ Wolf im Farbspektrum.” Siegener Zeitung (March 19, 2004) [ill.] 2003 Mauk, Laura. “Horse’s Mouth: Readers’ Tips for Spring 2003.” Bookforum (Spring 2003) 2002 Cheng, Scarlet. “California Grrrls: The Major Survey ‘Parallels and Intersections: Art/Women/California’ Sheds Light on an Oft- Neglected Group of Female Artists from 1950 to 2000.” The Los Angeles Times (September 29, 2002) 2001 Barlow, Melinda. “Sculpture + Architecture in Dialogue: A Conversation with Diana Thater.” Sculpture (October 2001): 34-39 Chen, Aric. “State of the Arts.” Jalouse (November 2001): 152-155 Gellatly, Andrew. “Enclosed and Enchanted.” Frieze, No. 56 (January/February 2001): 114 Gilbert, Andrea. “Splash: Big Names in Contemporary Art Dive to Their Limits.” View (August 2001): 88-93 Harris, Jane. “Diana Thater.” Art Press (April 2001): 12-14 Kimmelman, Michael. “Diana Thater ‘knots + surfaces.’” The New York Times (May 18, 2001): E29 Pollack, Barbara. “Diana Thater.” ARTnews (April 2001): 139 Ross, Christine. “The Insufficiency of the Performative: Video Art at the Turn of the Millennium.” Art Journal (Spring 2001): 28-33 Schwendener, Martha. “Winter Preview: Diana Thater Dia Center for the Arts.” Artforum (January 2001): 37 Skarf, Shayna. “Diana Thater, knots + surfaces.” Time Out New York (September 27 - October 4, 2001): 84 Solomon, Deborah. “Tastemaker, New in Town, Dives into a Caldron.” The New York Time (May 2, 2001): H1, H9 Tumlir, Jan. “Public Offerings. Museum of Contemporary Art.” Artforum (January 2001): 43 “Back to the Future with Bitstreams.” Art in America (September 2001): 61-63 “Bitstreams.” Tema Celeste (March/April 2001): 116 “Dia Center for the Arts.” Tema Celeste (November/December 2001): 105 “Dia Center for the Arts.” The New Yorker (February 12, 2001): 20-21 Connaissance des Arts: Chelsea (2001) [ill.] 2000 Amanshauser, Hildegund. “A Living Theatre.” Salzburger Kunstverein: Jahresbericht 1999, Magazin no. 4 (2000): 74-83 Arrhenius, Sara. “Come Closer: On the Intimacy of Vision in the Art of Diana Thater.” Parkett no. 60 (December 2000): 78-81 Buchhart, Dieter. “Diana Thater: ‘Delphine.’” Kunstforum no. 151 (July 2000): 394-395 Doswald, Christopher. “Hollywood der Kunst.” Facts no. 15 (April 13, 2000): 158-164 Gilbert-Rolfe, Jeremy. “Water, Sun and Thinking Bodies.” Parkett no. 60 (December 2000): 102-115 Haslinger, Regina. “Art Remembers the Animal.” Parkett no. 60 (December 2000): 88-101 Hofleitner, Johanna. “Zeitgeist als Kopie Seiner Selbst.” Die Presse (February 17, 2000) Horny, Henriette. “Kluge Tiere und traurige Kids.” Kurier (January 28, 2000) Krumpl, Doris. “Flipper und der Jugend-Style.” Der Standard (January 27, 2000): 17 Schröck, Petra. “Diana Thater. Natur ist eine Sprache.” Eikon no. 33 (September 2000): 29-36 [ill.] Stammen, Sylvia. “The Future That Almost Wasn’t.” Süddeutsche Zeitung (May 19, 2000) Telenko, Sherri. “Moluccan Cockatoo Molly # 1-10.” View (September 28 - October 4, 2000) 1999 Binder, Mary. “...And Illusion.” Pittsburgh City Paper (July 7, 1999) Buskirk, Martha. “Art Around the Hub.” Art in America (June 1999): 57-63 Cooke, Lynne. “Diana Thater: On Location.” Parkett no. 56 (September 1999): 177-182 Dannatt, Adrian. “The Old Masters of Tomorrow.” The Art Newspaper (December 1999) Frank, Peter. “Diana Thater.” ARTnews (March 1999): 139 Hettig, Frank-Alexander. “Diana Thater.” Kunstforum no. 143 (January/February 1999): 428-429 Intra, Giovanni. “La Struttura Mobile.” Tema Celeste (January/February 1999): 50-53 Joyce, Julie. ”Diana Thater.” Art Issues (March/April 1999): 44 Kraynak, Janet. “Diana Thater.” Documents (Winter 1999): 33-38 Rickels, Laurence A. “Art/Journalism.” X-TRA (Summer 1999): 11-18 Shearing, Graham. “Video Harnessed.” Tribune Review (July 1, 1999): 29 Thomas, Mary. “Thater video installation plays with the senses at Carnegie.” Post Gazette (June 26, 1999) “Diana Thater: The best space is the deep space.” Carnegie (May/June 1999): 26 1998 Fogle, Douglas. “Diana Thater. Being Inside of a Work of Art.” Flash Art (January/February 1998): 86-89 Johnson, Ken. “Diana Thater.” The New York Times (October 30, 1998): E38 Lunenfeld, Peter. “Diana Thater/Constraint Decree.” Art/Text no. 63 (August/October 1998): 66-72 Neumaier, Otto. “Diana Thater: Wer Sind.” Noema Art Journal (October/November 1998): 46-51 Saltz, Jerry. “Projects 64: Diana Thater.” Time Out New York (November 5-12, 1998): 76 Sichel, Berta. “Diana Thater.” Flash Art (November/December 1998): 107 Sykes, Martin. “Split Images.” New Zealand Herald (February 6, 1998) 1997 Cameron, Dan. “Glocal Warming.” Artforum (December 1997): 17-22, 130 Dany, Hans-Christian. “Diana Thater.” Frieze (June/July 1997): 90-91 Ellison, Victoria. “Girl is a Camera.” Aorta (April 15, 1997): 16-17 Fielder, Nadine. “Diana Thater at the Portland Art Museum.” Artweek (January 1997) Gerlach, Gunner F. “Was nahe liegt ist doch so fern und Diana Thater’s Video-Räume.” TAZ (February 15-16, 1997): 3 Goodeve, Thryza Nichols. “Signs of the Times: Diana Thater.” Artforum (May 1997): 25 Höepker, Thomas. “Szene Los Angeles.” Art das Kunstmagazin no. 12 (December 1997): 30-41 Mason, T. Kelly and Diana Thater. “The Future that Almost Wasn’t.” Transcript 2, no. 3 (1997): 38-43 Mummenhoff, Julia. “Von Wölfen und Konstrukten.” Szene Hamburg (March 1997): 70-97 Rugoff, Ralph. “L.A.’s Female Art Explosion.” Harper's Bazaar (April 1997): 204-205, 246 Salvioni, Daniela. “The Whitney Biennial.” Flash Art (Summer 1997): 114-117 [ill.] Seyfahrt, Ludwig. “Abbild und identität.” Hamburger Rundschau (March 6, 1997): 50 Staniszewski, Mary Anne. “Diana Thater: Orchids in the Land of Technology.” Artforum (May 1997): 74 Usherwood, Paul. “Diana Thater.” Art Monthly no. 202 (December/January 1997): 36 1996 Amanshauser, Hildegund. “Diana Thater.” Camera Austria no. 54 (1996): 22-28 Avgikos, Jan. “Sense Surround: Diana Thater.” Artforum (May 1996): 74-77, 118 Domesle, Andrea. “A Mouse is a Cat, is a Chimp, is a Girl.” Neue Zürcher Zeitung (October 19, 1996): 46 Gassert, Siegmar. “Neue Identität?” Dreiland Zeitung (October 4, 1996) Gragg, Randy. “Electric Nature.” The Sunday Oregonian (November 20, 1996): 1, 4 Huntington, Richard. “Phantom Figures, Screaming Clowns Enliven Albright-Knox Video Show.”Buffalo News (November 10, 1996): F1, F6 Johnson, Ken. “Diana Thater at David Zwirner.” Art in America (May 1996): 103-104 Müller, Hans-Joachim. “Blumen, Buntheit, Bilder und Bedingungen.” Basler Zeitung no. 217 (September 17, 1996) Qualls, Larry. “Five Video Artists.” Performing Arts Journal (September 1996): 1-13 Row, D.K. “A Small Victory.” Willamette Week (November 20, 1996): 56 Russ, Sabine. “Zwischen den Bildern.” Neue Bildende Kunst (April/May 1996): 82-83 Smith, Roberta. “Diana Thater.” The New York Times (February 23, 1996): C32 Smith, Roberta. “The Gallery Doors Open to the Long Denied.” The New York Times (May 26, 1996): C1, C29 Spinelli, Claudia. “Gelb, Zyan, Grün, Magenta, Rot und Blau. Zu den Arbeiten von Diana Thater.” Das Kunst-Bulletin (October 1996): 16-23 Spinelli, Claudia. “Wer sind wir? Wie verhalten wir uns? Ein Gespräch mit Diana Thater.” Basler Zeitung (September 17, 1996) Wallach, Amei. “Up and Coming: This Video Artist Runs With the Wolves.” The New YorK Times (February 4, 1996) 1995 Palmer, Laurie. “Diana Thater: Renaissance Society.” Artforum (Summer 1995) [ill.] Gottlieb, Stacey. “Whitney Biennial Unplugged.” The Manhattan File (March 1995): 80 1994 Breerette. Genevieve. “Tout Nouveau, Tout Beau.” Le Monde (June 8, 1994) Choon, Angela. “Openings.” Art & Antiques (January 1994) de Jonge, Piet. “Diana Thater.” Metropolis M (October 1994) Martin, Timothy. “Stan Douglas, Diana Thater: Screen Off-Screen.” Witte de With Cahier no. 3 (1994): 98-104 Pagel, David. “Into the Light.” Frieze (June 1994): 22-25 Roos, Robert. “Anders Omgaan Met Film en Video.” Trouw (September 28, 1994) Saltz, Jerry. “LA Rising.” Art + Auction (April 1994) Tjon, Carla. “De Verwarde Kijker.” Magazijn (September 1994) 1993 Smith, Roberta. “Diana Thater.” The New York Times (December 23, 1993): C25 1992 Ross, Adam. “Diana Thater.” Art Issues no. 26 (Winter 1992/1993) 1991 Gardner, Colin. “Diana Thater: Dorothy Goldeen Gallery.” Artforum (May 1991): 152-153 Gilbert-Rolfe, Jeremy. “Slaves of L.A.; and Others: Young L.A. Artists.” Artspace (Summer 1991): 73-79 Zellen, Jody. “Diana Thater.” Arts Magazine (May 1991): 8 “Diana Thater, Artist-in-Residence.” Digest 6, no. 1 (Fall 1991) SELECTED AWARDS 2011 2011 Award for Artistic Innovation, Center for Cultural Innovation, Los Angeles 2006 James D. Phelan Art Award in Film and Video, The San Francisco Foundation 2005 Fellowship Award, John Simon Guggenheim Memorial Foundation, New York 1999-present Artist-in-Residence for SaveTaijiDolphins.com, Earth Island Institute, San Francisco 1998 The International Artist-in-Residence Program, Artpace, San Antonio, Texas 1995 Project Grant, Etant Donnés: The French-American Fund for Contemporary Art, New York Prize, Beyond the Borders: Gwangju Biennale, Gwangju, South Korea 1993 Other Genres Fellowship, National Endowment for the Arts, Washington, D.C. 1991 Artists at Giverny Program, Artist-in-Residence at the Claude Monet Foundation, Lila Acheson-Wallace Reader’s Digest Foundation, Giverny, France SELECTED LECTURES, PANELS, & CONFERENCES 2010 Diana Thater lecture, Otis College of Art and Design, Los Angeles Garfield Undergraduate Lecture Series: Diana Thater, Roski School of Fine Arts, Los Angeles 2009 The Museum's Future Perspectives, New Museum, New York 2007 Diana Thater: Conversations with Michael Govan, Los Angeles County Museum of Art 2005 Diana Thater on Robert Smithson, Dia Art Foundation, New York 2002 Artists on Artists Lecture Series: Diana Thater on Robert Smithson, Dia Center for the Arts, New York Presentation of the Award for Curatorial Excellence and CSS Conversation with Suzanne Ghez, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, New York Residency: Ecology, Community Planning, and Social Challenges in Panama, Fulbright-Hays Group Projects Abroad Program, Panama City 2001 Art & Optics, New York Institute for the Humanities, New York University Making Time: Considering Time as a Material in Contemporary Video and Film, Hammer Museum, Los Angeles 1999 Art, Technology, and Culture Colloquium, Center for New Media, University of California, Berkeley, California Video Artists on Paik: A Panel Discussion, in conjunction with the exhibition The Worlds of Nam June Paik, Solomon R. Guggenheim Museum, New York 1998 Dialogues on Art, in conjunction with the exhibition Sunshine & Noir: Art in L.A. 1960-1997, Hammer Museum, Los Angeles 1995 Mediawork: The Southern California New Media Working Group, Art Center College of Design, Pasadena, California 1997 World Cups of Art: Have We Missed the Goal? MAK Center for Art + Architecture, Los Angeles 1994 Optimism, Hirsch Farm Project, Hillsboro, Wisconsin SELECTED PUBLIC COLLECTIONS The Art Institute of Chicago Artpace, San Antonio, Texas Atelier Augarten Zentrum für zeitgenössische Kunst, Vienna Carnegie Museum of Art, Pittsburgh Castello di Rivoli, Turin Fonds Régional Art Contemporain - Rhône-Alpes, Institute d`art contemporain, Villeurbanne, France Friedrich Christian Flick Collection, Hamburger Bahnhof - Museum für Gegenwart, Berlin Kunsthalle Bremen, Bremen, Germany Los Angeles County Museum of Art Musée d'Art Moderne et Contemporain de Strasbourg, Strasbourg, France Museum of Contemporary Art, Los Angeles Museum of Contemporary Art San Diego, California Orange County Museum of Art, Newport Beach, California Sammlung Goetz, Munich Solomon R. Guggenheim Museum, New York Stedelijk Museum, Amsterdam Thyssen-Bornemisza Art Contemporary, Vienna University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, California Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York

Diana Thater

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