On Saturday 10 June, Liverpool Biennial opens its 12th edition, titled ‘uMoya: The Sacred Return of Lost Things’, unveiling a series of exhibitions and outdoor artworks across the city. A dynamic programme of free exhibitions, performances, screenings, community and learning activities and fringe events unfolds over 14 weeks, shining a light on the city’s vibrant cultural scene.
‘uMoya: The Sacred Return of Lost Things’ is curated by Khanyisile Mbongwa and presents the work of 35 leading and emerging artists and collectives from 6 continents, including 15 new commissions. Liverpool Biennial 2023 addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.
Taking place in historic locations and leading art venues, this year the Biennial presents exhibitions at Tobacco Warehouse, Cotton Exchange, Tate Liverpool, Bluecoat, FACT Liverpool,...Open Eye Gallery, Victoria Gallery and Museum and World Museum.
Khanyisile Mbongwa, Curator, Liverpool Biennial 2023, said:
“‘uMoya: The Sacred Return of Lost Things’ explores the ways in which people and objects have the potential to manifest power as they move across the world, while acknowledging the continued losses of the past. It draws a line from the ongoing Catastrophes caused by colonialism and slavery towards an insistence on being truly Alive, pulling threads from East and Southern Africa, East and South Asia, North and South America, the Middle East, Oceania, and Europe. This Biennial locates itself in Liverpool not only as a provocation to the city but also as an intimate excavation of its history and temperament.”
Dr Samantha Lackey, Director, Liverpool Biennial, said:
“We are delighted to bring the spirit of ‘uMoya’ to the city of Liverpool in this, our 25th anniversary year. At this moment of global instability, the vision and experience of our curator Khanyisile Mbongwa brings a perspective of historic acknowledgement that both connects to Liverpool’s colonial past but also uncovers possibilities for joy, healing, and aliveness in its future.
I would like to thank Khanyisile Mbongwa who has brought not only her thinking but also her feeling and care to the city and to us as an organisation over the past months. I would also like to extend my gratitude to the artists who have brought so much passion and imagination to this extraordinary Biennial. As we commemorate our 25-year history through this truly remarkable edition, we continue to be grateful to our cultural partners and venues who work with us across the city generously collaborating on our programme. Finally, I would like to thank our funders, in particular Arts Council England and Liverpool City Council, without whom the festival would not be possible.”
The participating artists for Liverpool Biennial 2023 are:
Albert Ibokwe Khoza (South Africa); Antonio Obá (Brazil); Belinda Kazeem-Kamiński (Austria); Benoît Piéron (France); Binta Diaw (Senegal/Italy); Brook Andrew (Wiradjuri/Australia); Charmaine Watkiss (UK); David Aguacheiro (Mozambique); Edgar Calel (Guatemala); Eleng Luluan (Rukai Nation/Taiwan); Fátima Rodrigo Gonzales (Peru); Francis Offman (Italy/Rwanda); Gala Porras-Kim (Colombia/USA); Guadalupe Maravilla (El Salvador/USA); Isa do Rosário (Brazil); Julien Creuzet (Martinique/France); Katy'taya Catitu Tayassu (Brazil/France); Kent Chan (Singapore/The Netherlands); Lorin Sookool (South Africa); Lubaina Himid (UK); Lungiswa Gqunta (South Africa); Melanie Manchot (Germany/UK); Nicholas Galanin (USA); Nolan Oswald Dennis (South Africa/Zambia); Pamela Phatsimo Sunstrum (Botswana/Canada/The Netherlands); Rahima Gambo (Nigeria); Rahmi Hamzi (Palestine); Raisa Kabir (UK/Bangladesh); Ranti Bam (Nigeria/UK); Rudy Loewe (UK); Sandra Suubi (Uganda); Sepideh Rahaa (Iran/Finland); Shannon Alonzo (Trinidad & Tobago); Torkwase Dyson (USA); Unmute Dance Theatre (South Africa).
OUTDOOR WORKS
Celebrating Liverpool’s iconic architecture and public spaces, a series of outdoor sculptures and installations are installed at sites across the city centre.
Brook Andrew presents a new large-scale neon work, located at Stanley Dock (home to Tobacco Warehouse). Incorporating Irish, Scottish Gaelic, isiXhosa, Wiradjuri, Urdu, Mandarin and Welsh, the commission symbolises the cultural and historical linguistic diversity of Merseyside across the Liverpool skyline. A video work by the artist is on view at World Museum.
A monumental sculpture by Eleng Luluan is displayed at Princes Dock, Liverpool Waters. Taking the form of a giant metal vessel, the work is inspired by the legend that the founder of Rukai was born from a pottery jar protected by two snakes and draws on the artist’s experience of growing up in the Kucapungane community in Taiwan.
A newly commissioned piece by Nicholas Galanin is installed at St John’s Gardens, next to St George’s Hall. The work, a display of bronze casts of handwoven baskets, references museum displays of Indigenous North American and African basketry, as well as cinematic portrayals of thieves, via ski-mask cut-outs. The bronze sculptures reflect the commodification, reproduction, theft, and imitation of indigenous cultural traditions. A video work by the artist is on view at Bluecoat.
Ranti Bam presents a major new sculptural commission in St Nicholas Church Gardens, where the first recorded Black resident in Liverpool, Abell, an enslaved African, is buried. Inspired by the profound curative and narrative powers of clay, Bam presents seven new sculptures from her ‘Ifa’ series (2021-23), offering a new meeting point for visitors to gather in mediation, contemplation, and discourse.
At Liverpool ONE, Rudy Loewe presents a new large-scale installation inspired by the Liverpool Sailors’ Home gates and based on the artist’s painting ‘February 1970, Trinidad #1’, which depicts Moko Jumbie (a stilts walker or dancer) and other Carnival participants coming to the aid of the people at a moment of Black Power revolution in Trinidad and Tobago.
LIVE AND DIGITAL WORKS
Albert Ibokwe Khoza, Lorin Sookool, Raisa Kabir, Shannon Alonzo and Unmute Dance Theatre present live works for the festival, ranging from physical theatre, participatory events and multi-day performances to live drawing at venues including the Cotton Exchange and Tobacco Warehouse. Katy'taya Catitu Tayassu has created a new digital commission for the festival - an atmospheric audio work hosted on biennial.com.
VENUES
Tobacco Warehouse
For the first time, Liverpool Biennial’s reach expands to Tobacco Warehouse at Stanley Dock – the largest brick warehouse in the world, covering 1,600,000 sq. ft. The festival hub for Liverpool Biennial 2023 is located at Tobacco Warehouse in the ground floor waterside space and hosts six artists who all explore ideas of repair and healing in their practice. Albert Ibokwe Khoza’s ‘The Black Circus of the Republic of Bantu’, an immersive offering and installation, and Melanie Manchot’s long-form film project ‘STEPHEN’, produced in collaboration with local participants from the recovery community, is presented alongside a monumental installation by Binta
Diaw, textile work by Isa do Rosário, sculptural and video works by Julien Creuzet and painting by Rahmi Hamzi.
Tate Liverpool
The artists at Tate Liverpool explore the space between life and death and how to work through ancestral pain towards healing. Isa do Rosário‘s large-scale textile pieces will be exhibited for the first time outside of Brazil, whilst Edgar Calel’s ‘Ru k’ ox k’ob’el jun ojer etemab’el (The Echo of an Ancient Form of Knowledge)’, premieres following Tate becoming custodians of the work in 2021. Torkwase Dyson’s monumental work ‘Liquid A Place’ occupies the Wolfson Gallery, directly conversing with the brutal histories of the water and docks which surround the gallery. Further highlights include work by Fátima Rodrigo Gonzales, Francis Offman, Gala Porras-Kim, Guadalupe Maravilla, Lubaina Himid, Nolan Oswald Dennis, Pamela Phatsimo Sunstrum, and Shannon Alonzo.
Bluecoat
At Bluecoat, the first ever retrospective of work by Raisa Kabir is presented alongside a new immersive work by Kent Chan, building on his ‘Hot House’ project. Other highlights include installations by Benoît Piéron and a video work by Nicholas Galanin. The artists at Bluecoat explore play and childhood alongside histories of objects and labour.
Cotton Exchange
Returning as a venue for Liverpool Biennial 2023, the old restaurant in the Cotton Exchange building, once home to Liverpool’s cotton trade, forms the backdrop for newly commissioned works by Lungiswa Gqunta and Shannon Alonzo, alongside video work by Sepideh Rahaa. The artists at Cotton Exchange explore resistance, indigenous knowledge and ancestral healing.
FACT Liverpool
At FACT Liverpool, Belinda Kazeem-Kamiński presents a new multi-screen video work and soundscape building on her 2022 work ‘Respire’. The artist has invited members of local Black communities to participate in the film and soundscape, recorded in Liverpool and created in collaboration with sound-artist Bassano Bonelli Bassano. The piece is dedicated to imagining spaces for Black breath and breathing to expand and thrive.
Open Eye Gallery
The artists at Open Eye Gallery highlight Western exploitative practices related to the extraction and destruction of natural resources in African countries. Work by David Aguacheiro and Rahima Gambo is presented alongside a new iteration of Sandra Suubi’s performance installation ‘Samba Gown’. A new component of the gown, a veil, has been added through the artist’s engagement with women living in North Liverpool.
Victoria Gallery & Museum
At Victoria Gallery & Museum, new works by Charmaine Watkiss and Gala Porras-Kim are presented alongside Antonio Obá‘s interactive installation ‘Jardίm’. The works at Victoria Gallery & Museum are centred around themes of spirituality, what survives the crossing and ancestral memory.
World Museum
Brook Andrews’ 2018 video work ‘SMASH IT’ is presented at World Museum. The work brings together imagery of the destruction and defacement of monuments, old films, and news stories. Gala Porras-Kim presents a new sound work, resurrecting the names of those who have been reincarnated into objects now stored in museum collections.
Entrada actualizada el el 26 jun de 2023
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