|Cuándo:||03 dic de 2019 - 04 abr de 2020|
|Inauguración:||03 dic de 2019|
|Dónde:||Juan Carlos Maldonado Art Collection (JCMAC) / 3841 NE 2nd Ave. Suite 201 / Miami, Florida, Estados Unidos|
|Comisariada por:||Ariel Jiménez|
|Organizada por:||Juan Carlos Maldonado Art Collection (JCMAC)|
Alexander Apóstol, Alexis Leyva Machado - Kcho, André Komatsu
Carlos Garaicoa, Fernanda Fragateiro, Glenda León, Imi Knoebel, Jaime Gili, León Ferrari, Los Carpinteros , Marcelo Cidade, Pepe López, Sigfredo Chacón, Vik Muniz
Using Hybridizations / Contemporary Strategies as the title, The Juan Carlos Maldonado Art Collection (JCMAC) gives continuity to the exhibition project which it initiated four years ago. Since then, its objective has been to promote the study of modern and contemporary art on an international level, emphasizing the practices of Latin American artists. On this occasion – coming right after sharing part of its cultural heritage of geometric abstraction and of the original cultures of the Venezuelan South – the Ye’kwana – it focuses its attention on one of the most common strategies among artists of our time: the will, and even the need to hybridize pre-existing languages, techniques and strategies, in whatever field they work in, with the aim of having these express the cultural and structural complexity of the urban centers and the nations we inhabit. Far from being a mere formal game of citations and references, these artistic practices and tactics conceal a fundamental characteristic of human language: that of it being a collection of signs that refer, always, to other signs and that, in their proximities as well as their distances, generate meaning. Artists have, in fact, always “cited” one another; and their images have always been nurtured by other ones that came before them in time. However, in the work of many of today’s contemporaries, this characteristic of language takes on absolutely new relevance and intensity, because today, culture is imposed on them as second nature, present and ineluctable; and thus, they must act both for it and against it.