The exhibition Latencies shows works by the Spanish artist Daniel Canogar, exploring the paradigm of our data society and reflecting a world of changing media. Canogar investigates the interfaces and transitions between virtual and real worlds. In expansive, large-scale installations and generative video animations, the artist is dealing with the impact of media technologies on society; he vividly presents the transition from electromechanical to digital systems and is searching for the individual person’s impact and position in the technologically networked world. Latencies stands for a world in flux – a world of transient, fleeting memories, shifting media and continuously increasing data streams.