Exposición en

My Father Avoids the Sirens’ Song

03 mar de 2016 - 30 abr de 2016
03 mar de 2016
Comisariada por:
Descripción de la Exposición
Josée Bienvenu is pleased to present the seventh installment of “Present” a series of guest curated exhibitions in the Project Space.­ The early mythological Sirens, those hybrid creatures that perched on rocky islands to seduce sailors with their honey-sweet songs, were the seed of the idea for this video program. Later, there were deformed and mumbling Sirens who “were neither dead nor alive”,_ living-dead creatures symbolizing the morbid embodiment of the end and inhabiting the level of purgatory – the location where Dante dreamed of Sirens. For Homer, too, Sirens and their song represent doom. Whoever listens to their voices must die. In Dante (19.58-60), the Sirens’ plight was purged “at the final three terraces.” It was Dante’s gaze that transformed this woman with her deformed body into an image of beauty with a harmonious voice. The contemporary narrative and reinterpretations of these figures composes a very different melody – ... one that empowers, and that cannot be interrupted. Sirens today chant songs of survival and emancipation. In 1974, before postmodernism turned out to be the agent provocateur refuting long-established theoretical frameworks of philosophy and cultural analysis, Margaret Atwood wrote a free-verse poem called Siren Song. Not much noticed at the time, Siren Song is now reevaluated, a cherished mainstay of poetry club websites, literary associations, feminist writings, and educational institutions. The ongoing revisions of women’s subjectivity and their place and presence in society gave a shine to Atwood’s little-known poem. Today, Siren Song is an ode to female energy and determination. After all, they left the island challenging the male desire to control every situation. My Father Avoids the Sirens’ Song includes 21 works by 12 artists from Europe and Latin America who are performing – though almost none of them see themselves as performance artists – the ballad of their laugh, the blues of their cry, the rhyme of their autonomy, the song of their jouissance. The performative acts by the artists selected for My Father Avoids the Sirens’ Song, whether inspired by established Body Art, by political and social activism, or conceived as delegate performance, manifest their artistic imagination, while the sound of their voices no longer destroys but calls for the transformation. -Berta Sichel



Entrada actualizada el el 24 abr de 2016

¿Te gustaría añadir o modificar algo de este perfil?

Infórmanos si has visto algún error en este contenido o eres este artista y quieres actualizarla. ARTEINFORMADO te agradece tu aportación a la comunidad del arte.

¿Quieres estar a la última de todas las exposiciones que te interesan?

Suscríbete al canal y recibe todas las novedades.

Recibir alertas de exposiciones

Plan básico

Si eres artista o profesional… ¡Este plan te interesa! (y mucho)

  • Sube y promociona eventos y exposiciones que hayas creado o en los que participes ¡Multiplicarás su visibilidad!
  • Podrás publicar (y también promocionar) hasta 100 obras tuyas o de tus artistas. ¡Conecta con tus clientes desde cada una de ellas!
  • Disfruta de acceso a todo el contenido PREMIUM y al Algoritmo ARTEINFORMADO (Ecosistema AI e Indice AI de Notoriedad de artistas iberoamericanos).
  • Mantendremos actualizada tu perfil o la de tus artistas. Además, podrás contactar con los gestores de otras.
05 abr de 2024 - 05 may de 2024

Madrid, España

13 abr de 2024 - 25 may de 2024

Galería Elba Benítez / Madrid, España

21 sep de 2023 - 04 jul de 2024

Museo Nacional Centro de Arte Reina Sofía (MNCARS) / Madrid, España

Exposición Online
16 abr de 2024 - 19 may de 2024


¿Quieres estar a la última de todas las exposiciones que te interesan?

Suscríbete al canal y recibe todas las novedades.

Recibir alertas de exposiciones