|Cuándo:||02 oct de 2016 - 12 feb de 2017|
|Inauguración:||02 oct de 2016|
|Dónde:||Fowler Museum at UCLA / 308 Charles E. Young Drive North / Los Angeles, California, Estados Unidos|
|Comisariada por:||Cristina Vives|
|Organizada por:||Fowler Museum at UCLA|
|Artistas participantes:||Belkis Ayón Manso|
First solo museum exhibition in the United States dedicated to the work of Belkis Ayón (1967-1999)-the late Cuban visual artist who mined the founding myth of the Afro-Cuban fraternal society Abakuá to create an independent and powerful visual iconography. Ayón was known for her signature technique of collography, a printing process in which a variety of materials of various textures and absorbencies are collaged onto a cardboard matrix and then run through the press with paper. Her deliberately austere palette of shades and subtle tones of black, white, and grey added an air of mystery to her narratives, many of which were produced at very large scale by joining multiple printed sheets. For a black Cuban woman, both her ascendency in the contemporary printmaking world and her investigation of a powerful all-male brotherhood were notable and bold. The exhibition covers a wide range of her graphic production from 1984 until her untimely passing. Nkame, a word synonymous with "greeting" and "praise" in the language of Abakuá, is a posthumous tribute to the artist as well as a sweeping overview of her most fertile period of artistic creativity. The project is guest curated by Cristina Vives, an independent curator and art critic based in Havana, Cuba, and is organized by the Belkis Ayón Estate with the Fowler Museum at UCLA.
Primera retrospectiva en un museo de Nueva York de la artista cubana Carmen Herrera, en casi dos décadas, y primera retrospectiva en EE.UU. del artista brasileño Hélio Oiticica.
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