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Evento finalizado
jul 2018
ago 2018


Cuándo: 17 jul de 2018 - 31 ago de 2018
Inauguración: 17 jul de 2018 / 19:00
Horario: 9am to 6:30pm
Precio: Entrada gratuita
Dónde: Galeria Karla Osorio (ex-Gabinete de Arte k2o) / SMDB Conjunto 31 Lote 1B - Lago Sul / Brasília, Distrito Federal, Brasil
Organizada por: Galeria Karla Osorio (ex-Gabinete de Arte k2o)
Artistas participantes: Oziel Primo Araújo
Correo electrónico: info@karlaosorio.com
Publicada el 01 ago de 2018      Vista 44 veces

Descripción de la Exposición

Karla Osorio Gallery presents the solo show of the artist Oziel Primo Araújo (BR), bachelor in visual arts at the UNB and public-school teacher. He participated of many solo and group shows, developing an experimental work, joining music, video and visual arts. It is his first solo show at the gallery. Gallery 4, Pavilion 2 OZIEL PRIMO ARAÚJO Eternal series: actor, mechanician and melancholy The show is composed of artworks that were either conceived or produced in the last decade, including objects, installation, video and preformistic sculpture. Some were produced at the opening, with a performance from the artist himself, others were constituted of the public intervention. As the curator Malú Serafim highlights, “in this set of works, the artist explores the linguistic hybridism that wanders between performance, video, image and sculpture. Included in the encyclical context of contemporary art itself, the show demonstrates a rearrangement of the support-body. Having moved away from the idea of support, the artwork fluctuates between many languages – permeating every agent that negotiates them and being in constant transformation within an indeterminate space-time. While the object absorbs all of its macro-narratives and is concretizes in this flow, this exchange conditions the extension of completeness of the work. Facing all the immersion of the act, the object, just like the activating subjects are inevitably mechanism, registry and work. Thus, a game is set, an uninterrupted transformation that starts from the relational. The present experience is conditioned within a phenomenological notion, preaching that the body allows the consciousness and is taken by the consciousness of the object. In this way, everything is realized in the perception, as the artist refers when he invokes the notion of melancholy: the rapture of the encounter with the image, when seeing becomes a visceral confabulation.”


el 01 ago de 2018


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