The work of Roberto Diago explores the roots and role of slavery in Cuban history and culture, offering a critical voice to the discourse on racism in Cuba. Exploring racism in Cuba—in what was formerly a plantation society—has generally been regarded as an act of resistance to the revolution, which ignored the issue in the interest of solidarity. But for Diago, as an Afro-Cuban artist, it cannot be ignored. Diago makes paintings and conceptual installations with found materials sourced from his neighborhood—bits of wood, plastic bottles, and rusty metals. These discarded materials are given new life and meaning by careful construction and juxtaposition, as Diago addresses both the visible and invisible strands of racial oppression in Cuba.