The word ‘antithetical’ seems to apply like an adhesive to Túlio Pinto’s exhibition Ground Control, as if a pendulum were swinging between order and chaos, and a dual nature could be perceived in the pieces: the geometric and the formless (or the opacity and the transparence; the lightness and the weight), in an apparent opposition. When we put these elements together as an integral part of a single system, the pieces become ideograms – just like an unspeakable direct speculation on the world that unfolds in front of us.
Entrada actualizada el el 05 feb de 2018
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Galería Elba Benítez / Madrid, España
Museo Nacional Centro de Arte Reina Sofía (MNCARS) / Madrid, España
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