Su presencia en la XXIII Bienal Internacional de Sao Paulo marcó un hito en la historia de la trayectoria de Gego y fue una plataforma fundamental para la internacionalización de la obra de la artista.
Gego (Gertrud Goldschmidt) was born on August 1, 1912, to a liberal Jewish banking family in Hamburg, Germany. She studied under Paul Bonatz at the University at Stuttgart, where she graduated with an architecture and engineering degree in 1938. As a student she was influenced by the innovations of the Bauhaus, a creative laboratory of design that operated for over two decades in pre-Hitler Germany. She was forced to leave Germany shortly after finishing her degree and immigrated to Venezuela in 1939. There she worked as a graphic designer and operated her own furniture workshop. She became a Venezuelan citizen in 1952 and lived there for the remainder of her life.
In 1953, Gego began to develop...her artistic practice full-time. Encouraged by the support of Alejandro Otero and Jesús Rafael Soto, she began to create three-dimensional works in 1956. During these three years, Gego operated in the margins of the Venezuelan kinetic and op art movements, and continued to study mathematics, architecture, and philosophy. In 1957 Gego participated in the exhibition Arte abstracto en Venezuela and by 1959 the Museum of Modern Art in New York had begun acquiring her work. She lived in New York briefly in 1960 and made several extended visits to the United States until 1967. In New York, she attended the Pratt Institute, where she took engraving and printmaking classes. She also worked in the Tamarind Lithography Workshop in Los Angeles before returning to Venezuela in 1967. For most of her career, she worked at a home studio in Caracas, creating a prolific and varied oeuvre consisting of sculptures and works on paper. She died in Caracas on September 17, 1994.
Recent solo exhibitions of Gego’s work include Gego: Between Transparency and the Invisible, The Museum of Fine Arts, Houston (2005), and The Drawing Center, New York (2007); Gego: Defying Structures, Museu de Arte Contemporánea de Serralves, Porto; and Gego: Line as Object, Hamburger Kunsthalle, Kunstmuseum Stuttgart, and Henry Moore Institute, Leeds (2013).
Tres exposiciones de tres artistas presentes en los catálogos del galerista Henrique Faria, quien gestiona actualmente tres espacios expositivos -
Henrique Faría Fine Art (Nueva York),
Faría+Fábregas (Caracas) y
¿Quieres estar a la última de todas las exposiciones que te interesan?