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Lombard Freid Projects present a groundbreaking group exhibition, Cities and Things That Matter, featuring sculpture, installation, video, photography and drawing by Haig Aivazian, Emre Huner, Wilfredo Prieto, Michael Rakowitz, Raqs Media Collective, Nasan Tur and Mai Yamashita + Naoto Kobayashi.

The artists explore the numerous rhythms, structures, stories and transactions of urban life that construct cultural ideologies and shape mankind. Cities, epicenters of social and public space, become the backdrop for the collective concerns of society. Economic trade, public knowledge, free speech, political and personal diplomacy along with structural development and decay are all elements of a contemporary metropolis. The seven-featured artists each use these fundamental cultural components to communicate ... the state of present times though their unique lenses. The resulting exhibition evaluates the structure of culture today, producing an exhibition that is as much an anthropological barometer as it is a remarkable display of contemporary art.

Haig Aivazian is an artist, curator and writer born in Lebanon and currently based in New York City. He uses performance, video, installation and sculpture in order to weave in and out of personal and geo-political, micro and macro narratives in the search for ideological loopholes and short circuits. In his most recent work, Into Thin Air and Into the Ground, a part of the series The Unimaginable Things We Build, Aivazian focuses on the world's tallest man-made structure to attempt to reconcile the idea of monumental architectural landmarks as nodes in an unrepresentable global network of immaterial capital. Other parts of the project have been shown in Mercer Union in Toronto, Canada, and include a commissioned public billboard at The Pavilion, Dubai United Arab Emirates.

Emre Huner, currently based in The Netherlands, works in various media from video, drawing and spatial works. While Huner often uses different techniques in his works, he continuously contemplates modern man's place within architecture and nature and the dangers of industrial progression. Huner questions the world humans have created with numerous machines, abandoned buildings and a seemingly endless quest forward for the sake of convenience. In his video Juggernaut, Huner combines found footage from General Motors, NASA and Walt Disney propaganda with his own shot material. An intimate series of drawings accompany Juggernaut, giving the viewer a glance at the 1960s promise for a utopian future that never came. Recent exhibition include; Adverse Stability, ?Extra City Kunsthal, Antwerp, Belgium; The New Horizon, Stroom, Den Haag, The Netherlands; The future of tradition, Haus der Kunst, Munich, Germany.

Wilfredo Prieto, originally form central Cuba and currently based in New York City, offers a refreshingly optimistic point of view in his minimalist installations. In his 2008 large scale piece Mountain, white plinths of varying heights are arranged to form a graph of the price of oil. Poetic and meta the piece effortlessly speaks to the presence of high art in contemporary society, while remaining open to interpretation by the viewer. Recent exhibitions include; Spirito Due, Complesso Monumentalle Santo Spirito in Sassia, Roma, Italy; Untitled (12th Istanbul Biennial), Turkey, Istanbul; Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary 2011, Dublin, Ireland; Coup d'éclat, Focus of Résonance-Lyon Biennial, Fort du Bruissin, Centre of Contemporary Art Francheville.

Internationally renowned American artist, Michael Rakowitz, currently based in Chicago, uses his work to inform and empower. In his ongoing series, paraSITE, Rakowitz collaborates with homeless city residents to help them design and construct inflatable shelters. Designed to utilize available hot air and bypass city camping laws, these dynamic structures become a whimsically vial for the harsh realities of urban life. In this exhibition rare, collage concept drawings for the paraSITE project are displayed. While the influence of 1970's utopian architecture and the Archigram moment of the 1960's are clear, Rakowitz has managed to take his ideas out of the hypothetical on in to the world making the work that much more effective. Recent exhibitions include; Spoils, Creative Time at Park Avenue Autumn, New York NY; The worst condition is to pass under a sword which is not one's own, Level 2 Gallery, Tate Modern, London; Yes, We Don't, Institut d'Art Contemporain Villeurbanne/Rhone-Alpes, Villeurbanne, France; Scramble For the Past: A Sotry of Archaeology in the Ottoman Empire, SALT Beyogle, Istanbul, Turkey.

Raqs Media Collective is a prolific and multifaceted arts collective based in New Delhi and founded in 1992 by Jeebesh Bagchi (1965), Monica Narula (1969) and Shuddhabrata Sengupta (1968). The works in Cities and Things that Matter examine the individual within a whole, stressing that each entity is 'something more and something less than a population'. In Proverbs (2-3), Raqs offers the viewers two ambiguous six-word sayings on power and time carved into panels that are lit with LEDs. The meaning behind the proverbs change, as different combinations of words are illuminated, giving the statements new sense when lit together or apart. Recent exhibitions include: Surjection, agYU, Toronto, Reading Light, Festival d'Automne, Paris, Medi(t)ation, 2011 Asian Art Biennial, National Taiwan Museum of Fine Arts, Taipei, Taiwan; The Global Contemporary: Art Worlds after 1989, ZKM Museum of Contemporary Art, Karlsruhe, Germany; Contemporary Art Archipelago, Turku Archipelago, Archipelago Sea, Finland.

Nasan Tur, based in Berlin, investigates cultural ideologies encoded in everyday life through the city, politics and economy. Tur's work, marked by formal simplicity and a minimalist vocabulary, invites the viewer to consider the systems of exchange at work in our global society. In Istanbul Says..., a performance and video, Tur spray paints text graffiti over the same patch of gallery wall. Statements of love, angst, violence, and public ethos are pulled from the streets of Istanbul and layered on top of one another, leaving nothing but an illegible mass of urban emotion. Recent exhibitions include; Nasan Tur, Kunsthalle Mannheim, Germany; Frischzelle, Kunstmuseum Stuttgart, Germany; Komunismus Soziallismus Kapietalismus, curated by Rene Block, Tanas, Berlin, Germany; Berliner Zimmer, Museum of Contemporary Art Bucharest, Bucharest, Romania; The End and Beyond, Week of Contemporary Art - Center for Contemporary Art Plovdiv, Plovdiv, Bulgaria.

Yamashita + Kobayashi have been creating art as a duo since first meeting at their high school art club in Chiba, Japan. Flouting convention by working in tandem, Yasmashita and Kobayashi work together to gently alter preexisting situations and materials. The pair observe natural and sociological patterns, then wittily intervene to enhance or reveal the system's inherent magic. The playful results of their investigations often seem effortless, despite their intense observational techniques and physically demanding methods of creation. Major League Baseball demonstrates Y+K's modus operandi perfectly, as a trip to a baseball game turns a frenzied temple of modern devotion into a forum for viewing the stadium's other inhabitants, a group of birds. Recent exhibitions include; The Four Souvenirs and The Book, Takuro Someya Contemporary Art, Tokyo; Going Mainstream, Kunstlerhaus Bethanien, Berlin; 2011 Yokohama Triennale, Japan; Things That Only An Artist Can Do, MARCO, Vigo, Spain.