Exposición en Barcelona, España

Living Drawings

Dónde:
Davis Museum - The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona / Puigmartí, 7, 1º, 2 / Barcelona, España
Cuándo:
01 ene de 2011 - 30 abr de 2011
Inauguración:
01 ene de 2011
Comisariada por:
Artistas participantes:
Descripción de la Exposición
Hunter Cole creates controlled line drawings using bioluminescent bacteria. The bacteria then grow in the host environment. Bacteria become collaborators in the art as it grows. First appearing with bright light, bacteria in the drawing are photographed as it uses up available nutrients, gradually dying-off over a two-week period. Both an internationally shown artist and also experienced geneticist, Cole reinterprets science as art through abstractions, digital art and installations. She holds a Ph.D. and Master s degree in Genetics from the University of Wisconsin-Madison, and a Bachelor of Science from the University of California-Berkeley. She teaches biology at the Loyola University Chicago. She created a course, Biology Through Art, where students have the opportunity to create innovative artworks in a biology laboratory. She is currently teaching this course at Loyola University Chicago in Spring 2006. These Living Drawings depict the cycle of life and death calling attention to our own ... mortality. Hunter Cole creates controlled line drawings using bioluminescent bacteria. The bacteria then grow on Petri dishes. The bacteria grow, first appearing with bright light, then dim and gradually die off as available nutrients are depleted. Bacteria are photographed using a time-lapse technique over a two-week period. Bacteria become collaborators in the art as it grows and dies. The bacteria contribute to the story in the art. A musical score created by the Hunter Cole for the movie is based on protein sequences found in the bacteria. The full-length version is available for exhibition.

-------------------------------------------------------

-------------------------------------------------------

JANUARY 1 - APRIL 30, 2011

HUNTER COLE, Living Drawings, 2010, installation (movie of drawings created with bioluminescent bacteria, two painted plastic toys art, size 2,5 x 2 x 1,5 in and one plastic cube size and label, size 1 x 1 x 1 in

http://www.huntercole.org

http://www.davismuseum.com

BIOGRAPHY

Hunter Cole, formerly Hunter O'Reilly, is an internationally shown artist and an experienced geneticist. She reinterprets science as art through the creation of living artworks, abstractions, digital art and installations confronting issues related to biotechnology in our culture. Cole holds a Ph.D. and Master's degree in Genetics from the University of Wisconsin-Madison, and a Bachelor of Science from the University of California-Berkeley.

Hunter Cole is frequently listed with other artists who create what is often referred to as bioart. Cole has taught both biology and art at Loyola University Chicago, the University of Wisconsin-Milwaukee and the University of Wisconsin-Parkside.

Hunter Cole creates Living Drawings with bioluminescent bacteria. TheseLiving Drawings depict the cycle of life and death calling attention to our own mortality. On Petri dishes Cole creates controlled line drawings using bioluminescent bacteria. The bacteria grow, first appearing with bright light, then dim and gradually die off as available nutrients are depleted. Bacteria are photographed using a time-lapse technique over a two-week period. Bacteria become collaborators in the art as it grows and dies. Exhibitions have shown combinations of living bacterial drawings growing on Petri dishes, photographs, and a movie of the time-lapse photographs with music based on protein sequence found in the bacteria. Cole's Living Drawings were a part several exhibitions such as It's Alive! A Laboratory of Biotech Art presented at Monserrat College of Art in Beverly, Massachusetts, Creative Adaptation in the Visual Arts presented at Concordia University Kreft Center for the Arts in Ann Arbor, MI, Glow presented at the North Carolina Museum of Natural Sciences in Raleigh, NC, The Summer of Abstractions presented at Syracuse Technology Garden, Syracuse, NY, and Living Drawings + Photographs by the Light of Bioluminescent Bacteria presented at Greyfriars Art Space in King's Lynn, Norfolk, United Kingdom. Cole's Living Drawings have also been exhibited at the Loyola University Museum of Art in Chicago, and the Honors College at Oakland University in Rochester, Michigan. Nature Genetics magazine featured Cole's Living Drawings on its cover.

Hunter Cole created music based on protein sequence found in bioluminescent bacteria accepted to SoundLAB VII - soundCELEBRATION - 10 years - [NewMediaArtProjectNetwork]:||cologne.

Hunter Cole joined the Biology Department faculty at Loyola University Chicago in the Fall 2004. Notably in 2001, Cole created the course, Biology through Art, first offered at University of Wisconsin-Parkside. Students have opportunities to create innovative artworks in a biology laboratory. Currently she teaches this course at Loyola University Chicago. Biology through Arthelps students from all disciplines to think outside the box. Biology through Art focuses on several areas in the biological sciences from molecular biology to human anatomy. Students view microorganisms, use DNA as an artistic medium, create music based on DNA and protein sequence, and see anatomy as art. Contemporary artists that use biological concepts and biological materials in their art are also discussed. Beginning Fall 2008 at Loyola University Chicago, Hunter Cole taught a new course BioArt: Exploring Living Organisms through Art, which she created. With her extensive laboratory experience, Hunter Cole brings a unique and challenging perspective to the world of biotechnology via art.

Cole has received grants from the Chicago Community Arts Assistance Program, the Puffin Foundation and the University of Michigan Life Sciences, Values and Society Program to create art for exhibitions reinterpreting science as art looking at positive aspects of biotechnology. The National Institutes of Health commissioned her to create paintings based on cancer genomics and cancer proteomics.

Cole's exhibition Genetic Revelations was presented at the University of Alabama School of Public Health in Birmingham. The exhibition Radioactive Biohazard showed the Porter Butts Gallery at the University of Wisconsin-Madison, at the Warren Robbins Gallery at the University of Michigan, and at the Walker's Point Center for the Arts (Milwaukee). In Radioactive Biohazard,Cole confronts issues related to human cloning, stem cell research, and the human genome project, among others. Hunter Cole's art has been shown internationally including England, Italy, Japan, the Czech Republic, New York, San Francisco, and Chicago.

Additionally, Cole's art has been featured on the covers of several scientific journals including Nature Biotechnology, Nature Genetics, Genetics in Medicine, Nature Reviews Genetics, Trends in Ecology and Evolution, Developmental Dynamics, The EMBO Journal, and Neural Notes.

Hunter Cole co-authored a paper on 'Art and Genetics' with Joe Davis, Dana Boyd and Marek Wieczorek published in the Encyclopedia of Life Sciences (ELS). Cole has been the subject of numerous newspaper and magazine articles. Publications that have discussed Cole's work in art and science, among others, include Science, The Scientist, Chicago Tribune, Detroit Free Press, Muy Interesante (Spain), plus Le Monde and Beaux Arts magazines (France). Additionally, Hunter Cole has presented seminars on bioart throughout the United States such as at the School of the Art Institute of Chicago, the American Museum of Natural History (New York), the Massachusetts Institute of Technology (MIT) and at the Dialogue Between Science and Art Workshop in Hluboka, Czech Republic.

EDUCATION

2000 - Ph.D. in Genetics, University of Wisconsin-Madison
1996 - M.S. in Genetics, University of Wisconsin-Madison
1993 - B.S. with Honors in Plant Biology, University of California - Berkeley
1989 - Lowell High School - San Francisco, CA

1998, 2001-2002 - Study with Master Printer Andrew Balkin, AGB Graphics, Madison, WI

GRANTS AND AWARDS

2006 - Chicago Community Arts Assistance Program Grant
2004 - World Technology Award Nominee in the Arts
2002 - Penny W. Stamps Distinguished Artist
2002 - University of Michigan Life Sciences, Values and Society Program Grant
2001 - University of Wisconsin-Milwaukee Cultures and Communities Grant
2000 - Puffin Foundation Grant

SOLO EXHIBITIONS

2009 - EBOLA is beautiful! Flag, Temporary Allegiance Project, Gallery 400, Chicago, IL

2006 - Living Drawings, Loyola University Museum of Art, Chicago, IL

2005 - Living Drawings, Honors College at Oakland University, Rochester, MI

2004 - Genetic Revelation: Reinterpreting Science as Art
University of Alabama School of Public Health, Birmingham, AL

2003 - Radioactive Biohazard: Reinterpreting Biotechnology as Art
Hunter O'Reilly and collaboration with Electric Eye Neon
Porter Butts Gallery, University of Wisconsin-Madison, Madison, WI

2002 - Radioactive Biohazard: Reinterpreting Biotechnology as Art
Hunter O'Reilly and collaboration with Electric Eye Neon
Warren Robbins Gallery, University of Michigan, Ann Arbor, MI

2001 - Radioactive Biohazard: Reinterpreting Biotechnology as Art
Hunter O'Reilly and collaboration with Electric Eye Neon
Walker's Point Center for the Arts, Milwaukee, WI

1999 - Abstract Faces Series, Assisi Collective Gallery, Madison, WI

1998 - Abstract Faces Series, Sunroom Gallery, Madison, WI

GROUP EXHIBITIONS

2010 - Creative Adaptation in the Visual Arts, Concordia University Kreft Center for the Arts, Ann Arbor, MI
Glow, North Carolina Museum of Natural Sciences, Raleigh, NC
SoundLAB VII - soundCELEBRATION - 10 years
[NewMediaArtProjectNetwork]:||cologne
Living Drawings + Photographs by the Light of Bioluminescent Bacteria,Greyfriars Art Space, King's Lynn, Norfolk, United Kingdom
Chicago Art Open, River East Art Center, Chicago, IL

2009 - CWCA Members' Exhibition, St. Paul's Cultural Center, Chicago, IL

2008 - CWCA Members' Exhibition, Peter Jones Gallery, Chicago, IL
Chicago Art Open, Merchandise Mart, Chicago, IL

2007 - It's Alive! A Laboratory of BioTech Art, Montserrat College of Art, Beverly, MA
The Summer of Abstractions, Syracuse Technology Garden, Syracuse, NY
Chicago Art Open, Chicago, IL

2006 - Chicago Art Open, Zhou B. Art Center, Chicago, IL

2005 - Chicago Art Open, Third Floor Gallery, Chicago, IL
Art Intersect Science: A Benefit Event Celebrating Art and Science, Lucid Gallery,
San Francisco, CA
Endometriosis Association 25th Anniversary Conference Auction, Four Points Sheraton, 
Milwaukee, WI

2004 - DNA: Art and Science - the Double Helix, University of South Florida Contemporary Art Museum, Tampa, FL
BioArt Exhibit, 7th National Undergraduate Bioethics Conference, University of Michigan,
Ann Arbor, MI

2003 - Essence, State University of West Georgia, Carrollton, GA
Essence, Georgia Institute of Technology, Atlanta, GA
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI
2002 - Dialogue Between Art and Science, Metropol, Ceske Budejovice, Czech Republic
Genome, City Without Walls, Newark, NJ
Earth, Air, Fire and Water, University of Wisconsin-Whitewater, Whitewater, WI
Earth, Air, Fire and Water, Walker's Point Center for the Arts, Milwaukee, WI
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI

2001 - Art and Science, XI Biennial International Art Exhibition Vila Nova de Cerveira, Portugal
Life Drawing, Union Gallery, University of Wisconsin-Milwaukee, Milwaukee, WI
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI

2000 - Nonsolo Genetica, Collegio Cairoli, Università degli studi Pavia, Pavia, Italy
Seeds, Shomeido Gallery, Tokyo, Japan
Artexpo, New York, NY
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI

1999 - Zero and One, Keio University, Shonan Fujisawa Campus, Tokyo, Japan
The Art of Women, Promega Biotechnology Company, Madison, WI

1998 - Off the Wall, South Bend Regional Museum of Art, South Bend, IN
Country Without Borders, 450 Broadway Gallery and Abraham Lubelski Gallery,
New York, NY
Renaissance 2001 Project, Tubal Cain Gallery, Contemporary Arts Foundation,
Harrogate, England
Post-Postcard III, Four Walls Artspace, San Francisco, CA
Binary Code, Trans-Hudson Gallery, New York, NY
Outrageous Acts and Little Intimacies, Common Wealth Gallery, Madison, WI

1997 - Change Becomes Us, Common Wealth Gallery, Madison, WI

SPEECHES ON THE FUSION OF ART AND SCIENCE

Artists at Work Forum: Studio as Lab, Chicago Cultural Center, Chicago, IL, June 17, 2010.
School of the Art Institute of Chicago, September 18, 2008.
Panel Discussion, Montserrat College of Art, Montserrat Gallery, Beverly, MA, March 16, 2007.
Artreach Lecture Series, Montserrat College of Art, Montserrat Gallery, Beverly, MA, March 16, 2007.
Aglow in the Dark: Art/Science and Bioluminescene, American Museum of Natural History, New York, NY, January 25, 2007.
Tri-Beta, Biological Honor Society Lambda Omega Chapter, Loyola University Chicago, Chicago, IL, January 22, 2007.
Loyola University Museum of Art, Chicago, IL, April 2, 2006.
Chicago Area Undergraduate Research Symposium Keynote Address, Chicago, IL,
April 1, 2006.
Chicago-Kent College of Law, Chicago, IL, March 7, 2006.
Dialogue Between Science and Art Workshop, Hluboka, Czech Republic, July 2005.
Honors College at Oakland University, Rochester, MI, March 21, 2005.
University of Alabama School of Public Health, Birmingham, AL, February 20, 2004.
Dialogue Between Science and Art Workshop, Hluboka, Czech Republic, July 16, 2003.
University of Wisconsin-Milwaukee, Milwaukee, WI, January 31, 2003.
University of Michigan Genetics Department, Ann Arbor, MI, September 23, 2002.
University of Michigan School of Art and Design, Ann Arbor, MI, September 20, 2002.
Milwaukee Institute of Art and Design (MIAD), Milwaukee, WI, April 24, 2002.
Massachusetts Institute of Technology (MIT), Cambridge, MA, March 13, 2002.
University of Wisconsin-Parkside, Kenosha, WI, February 15, 2002.
Walker's Point Center for the Arts, Milwaukee, WI, May 5, 2001.

PUBLIC AND PRIVATE COLLECTIONS

National Institutes of Health (NIH)
Promega Biotechnology Company, Madison, WI
University of Wisconsin - Milwaukee
Private collections in the United Kingdom and throughout the United States including California, Illinois, Iowa, Louisiana, Maryland, New Jersey, Ohio, Utah, Virginia , and Wisconsin

COMMISSIONS

Biological Domains, Loyola University Chicago, 2008-2011.
Frontiers in Science Seminar Posters, Loyola University Chicago, 2005, 2007-2010.
Cancer Genomics painting, National Institutes of Health (NIH), 2006.
Cancer Proteomics painting, National Institutes of Health (NIH), 2006.
Cover art, Nature Genetics, April 2004.
Cover art, Trends in Ecology and Evolution, April 2001.

COVERS (PUBLISHED ARTWORK)

Nature Biotechnology, July 2005
Nature Genetics, April 2004
Phoebe: A Journal of Literature and Art, Spring 2003 (back cover)
Genetics in Medicine, September/October 2002
Nature Reviews Genetics, September 2001
Nature Reviews Genetics, August 2001
Trends in Ecology and Evolution, June 2001
Nature Reviews Genetics, January 2001
Developmental Dynamics, September 2000
Genetics in Medicine, November/December 1999
The EMBO Journal, December 15, 1999
Neural Notes, Winter 1999
The EMBO Journal, November 2, 1998
The EMBO Journal, August 3, 1998
Feminist Voices, June 1998
The Dialogue: A Literary Journal, Spring 1991

PUBLICATIONS

Schier Anna, 'Scientists as Artists,' Chicago Art Magazine(chicagoartmagazine.com) August 5, 2010.

'Making art from bacteria,' Wired UK (www.wired.co.uk), December 22, 2009 (United Kingdom).

Scott, Katie, 'Masterworks in Petri dishes,' New Scientist (newscientist.com), December 11, 2009 (United Kingdom).

'Living Art,' BIO Show Daily, May 19, 2009.

'The Artistic Perspective of Biotech,' VISION Magazine, April 2009 (China).

Dodwell, Lucy, 'Gallery: Painting the life within,' New Scientist, November 8, 2008 (United Kingdom).

Dodwell, Lucy, 'Gallery: When genetics meets art,' newscientist.com, November 3, 2008 (United Kingdom).

Blonska, Anna, 'Biology painted,' KopalniaWiedzy.pl, October 11, 2008 (Poland).

Alvarez, Esteban, 'An Esthetical View Over Viral Universe,' elniuton.com, August 7, 2008 (Bogota, Columbia).

Cook, Greg, 'Culture war games,' The Boston Phoenix, March 30-April 5, 2007.

Johnson, Ken, 'Art from the science lab: It's weird, but to what effect?' The Boston Globe, March 14, 2007.

Weir, Kirsten, 'Biotechnology on display: A gallery-turned-laboratory fuses art and science, 'www.the-scientist.com', March 9, 2007.

'It's Alive, and It's Kind of Disturbing,' medGadget, February 20, 2007.

'It's Alive: A Laboratory of Biotech Art,' artdaily.org, February 20, 2007.

'It's Alive! A Laboratory of Biotech Art,' Winter Street Review, February 17, 2007.

Schoonmaker, Rebecca, 'Montserrat comes 'Alive' with a new show melding science and art,' The Eagle-Tribune, February 16, 2007.

Schoonmaker, Rebecca, 'Montserrat comes 'Alive' with a new show melding science and art,' Gloucester Daily Times, February 16, 2007.

Schoonmaker, Rebecca, 'Montserrat comes 'Alive' with a new show melding science and art,' The Salem News, February 16, 2007.

Hopkins, Randi, ''It's Alive!' at Montserrat,' The Phoenix, February 6, 2007
Artner, Alan G., 'Art Reviews: Drawings Seduce with Illusion of Spontaneity,'Chicago Tribune, April 7, 2006.

'Science and Art at the Loyola University Museum of Art,' Art Knowledge News (www.artknowledgenews.com), March 2006.

Hax, Andres, 'Arte: en los abismos de la genetica,' Clarin, September 11, 2005 (Argentina).

Stannard, Jennifer, 'O'Reilly Art Exhibit Fuses Art and Science,' Kaleidoscope,February 17, 2004.

'Talk: Show Examines Fusion of Art, Science,' UAB Reporter, February 9, 2004.

Guldan, Dale, 'Seeing the Light in Science and Art,' Milwaukee Journal Sentinel, January 16, 2004.

Cole, Kevin, 'Art and Science 101; Deconstructing Hunter: Will the Real Bionic Woman Please Stand Up?' dialogue: the art, architecture, and design journal of the Heartland, July/August 2003.

Sacristán, Alejandro, 'Genes con arte,' Muy Interesante, March 2003 (Spain).

Martini, Rocco, 'Beau comme un Virus,' Max, January 2003 (France).

Lynch, Kevin, 'The Art of Science,' The Capital Times, January 24, 2003.

Kidd, Jennifer, 'DNA and Diseases Infect Canvases: Science and art collide in O'Reilly exhibit,' The Daily Cardinal, January 24-26, 2003.

Webb, Molly, 'Fusing Art, Science and Technology,' The Badger Herald,January 22, 2003.

'Désirs de Clonage,' Le Monde, December 28, 2002. (France)

Lavrador, Judicaël, 'Bio Art: La Gènes Génération,' Beaux Arts magazine,November 2002. (France)

'The Art of Biotechnology,' dialogue Art Magazine, November/December 2002.

Cohen, Hal, 'Bioscience Moves into Galleries as Bioart,' The Scientist,November 11, 2002.

Cohen, Hal, 'Life posing as art,' The Scientist, September 30, 2002.

Cantu, John Carlos, 'Joining art, science: Geneticist's work, on display at Robbins Gallery, explores ethics,' Ann Arbor News, September 14, 2002.

Provenzano, Frank, 'DNArtist: The lab inspires geneticist's artwork, on exhibit at U-M,' Detroit Free Press, September 4, 2002.

Provenzano, Frank, 'Biotechnology and ethics,' Detroit Free Press, September 4, 2002.

Newvine, Colleen, 'Geneticist brings art exhibit about ethical questions of science to U-M,' University Record, September 3, 2002.

Norris, Kyle, 'Splicing Art and Science,' Current Magazine, September 2002.

Reinert, Birgit, 'Abstractions on Biotechnology' by Hunter O'Reilly,' Genome News Network (gnn.tigr.org), August 30, 2002.

Philipkoski, Kristen, 'Behold: 'Ebola Is Beautiful',' Wired News (Wired.com), August 19, 2002.

Reinert, Birgit, 'Reinterpreting Biotechnology: 'Digital Art' by Hunter O'Reilly,' Genome News Network (gnn.tigr.org), August 16, 2002.

'Biology in art,' Medical Post, August 13, 2002.

Holden, Constance, 'Yes, This Is Art,' Science, July 26, 2002.

Bill Robbins, 'Art and Science,'Kenosha News, March 6, 2002.

Morales, Geary, 'Can Art and Science Coexist, or Is the Partnership an Oxymoron' 
Dr. Hunter O'Reilly, Geneticist, Artist Takes on Conventional Wisdom!'Milwaukee Post,
May 26, 2001.

Boyle, Michelle C., 'Science, Art Present Wild Mixture of Form,' Irish American Post,
May 2001.

Wawzenek, Bryan, 'The Art of Science: Scientist Makes Diseases Look as Pleasant 
as Paintings,' Marquette Tribune, April 25, 2001.

Frank, Nicholas, 'Radioactive Biohazard at WPCA,' The Orbit, April 2001.

'Radioactive Biohazard: Dr. Hunter O'Reilly, Ph.D. and Electric Eye Neon,'AbsoluteArts.com Arts News, April 20, 2001.

Guequierre, Nathan, 'Critics Choice for Visual Art,' Shepherd Express,
April 19 - April 25, 2001.

Mueller, Jon, and OMC Staff Writers, 'O'Reilly Reinterprets Science as Art,'OnMilwaukee.com, April 16, 2001.

Blue, J. Michael, 'Hunter O'Reilly: Artist and Geneticist,' Arts Indiana Magazine, November/December 1999.

Waters, Ann, 'A Walk on the Female Side,' The Fitchburg Star, April 22, 1999.

Penn, Michael, 'The Many Hats of Hunter,' On Wisconsin, Spring 1999.

Richmond, Kaya, 'Local Artist Mixes Science and Art to Yield Paintings,' 
The Badger Herald, February 8, 1999.

Aehl, John, 'Art on the Line,' Wisconsin State Journal, November 22, 1998.

Quate, Rebecca , 'Art's in the genes?' Madison Magazine, November 1998.

Hanefeld, Dana, 'An Uncommon Perspective,' South Bend Times, September 20, 1998.

Dylag, Sarah, 'Artist and Geneticist' For University of Wisconsin Ph.D. Prospect 
Hunter O'Reilly, It's All in a Day's Work,' The Observer, September 2, 1998.

Templer, Kelly E., 'Geneticist Practices the Science of Art,' The Daily Cardinal,
March 26, 1998.

Esikoff, Alexei , 'Artist and Geneticist Brings Work to UW,' The Badger Herald, 
March 26, 1998.

TELEVISION

Artists at Work Forum: Studio as Lab, Chicago Access Network Television (CAN TV), Channel 21, August 15, 2010, Channel 19, August 17, 2010, and Channel 21, August 24, 2010
Avila Fine Art Lovers, Chicago Access Network Television (CAN TV), Channel 19, 
March 10 and March 12, 2006
In Wisconsin, Wisconsin Public Television, January 8, 2004 
E! Entertainment Television, May 8, 2000
Open Studio, Indiana Public Television, January 9, 2000
Evening News, WMTV Channel 15 (NBC, Madison, WI), April 13, 1999
Noon News, WISC-TV Channel 3 (CBS, Madison, WI), March 26, 1999
WeekEnd, Wisconsin Public Television, November 13, 1998

RADIO

The Sunday Show, ABC Radio Victoria (Melbourne, Australia), July 6, 2003
Reitman and Mueller Morning Show, 94.5 WKTI (Milwaukee, WI), May 8, 2000

PUBLISHED ARTWORK

Birmingham Weekly, February 19-February 26, 2004
Phoebe: A Journal of Literature and Art, Spring 2003
Oxford Brookes University Brochure, UK, 2001
Expressions Journal, September 2001 - February 2002
Lynx Eye: A ScribbleFest Literary Group Publication,
Fall 2001, Spring 2001, Winter 2001, Fall 2000 and Summer 2000
Mediphors: A Literary Journal of the Health Professions, 2000
Bathtub Gin: A Biannual Literary/Art Magazine, Spring 2000
Nerve Cowboy, Spring 2000 and Fall 2000
LitRag: A Journal of Poetry, Fiction and Art, Winter 2000
Feminist Voices, June, July-August, September, October, November/December 1998
The South Bend Tribune, September 17, 1998
Wisconsin State Journal Rhythm: Art and Entertainment, March 12, 1998
The Dialogue: A Literary Journal, Spring 1992 and Fall 1991

PUBLICATIONS BY HUNTER COLE (formerly Hunter O'Reilly)

Davis, J., Boyd, D., O'Reilly, H. & Wieczorek, M. Art and Genomics: Phenotype and Genotype in Genetic Art. Encyclopedia of Life Sciences (ELS),2006.

O'Reilly, Hunter, 'What happens when art and science collide?' Ranger News,February 14, 2002.

O'Reilly, Hunter, 'CWWCA Provides Exceptional Opportunities for Women Artists: Feminist Art on Exhibit at the Common Wealth Gallery,' Feminist Voices: A Madison Area News Journal, October 1998.

O'Reilly, Hunter, 'Katherine Steichen Rosing: Journey to Abstraction, Art Exhibition in Madison,' Feminist Voices: A Madison Area News Journal,September 1998.

O'Reilly, Hunter, 'Karen Foget: A Look at Ordinary Things with Extraordinary Vision,' Feminist Voices: A Madison Area News Journal, September 1998.

RESEARCH EXPERIENCE

The McArdle Laboratory for Cancer Research, September 1993 - December 2000
The U.S.D.A. Plant Gene Expression Center, September 1991 - August 1993

ABSTRACTS OF SCIENTIFIC TALKS GIVEN AT INTERNATIONAL MEETINGS

1998 - Molecular Biology of Small DNA Tumor Viruses Meeting, University of Wisconsin-
Madison, Madison, WI
1997 - The Imperial Cancer Research Fund Tumour Virus Meeting, Churchill College,
Cambridge, England

http://www.davislisboa.com

 

 

 
Imágenes de la Exposición
HUNTER COLE San Francisco, USA, 1971 Living Drawings, 2009, living bioluminesc

Entrada actualizada el el 26 may de 2016

¿Te gustaría añadir o modificar algo de este perfil?

Infórmanos si has visto algún error en este contenido o eres este artista y quieres actualizarla. O si lo prefieres, también puedes ponerte en contacto con su autor. ARTEINFORMADO te agradece tu aportación a la comunidad del arte.

¿Quieres estar a la última de todas las exposiciones que te interesan?

Suscríbete al canal y recibe todas las novedades.

Recibir alertas de exposiciones

Club AI

Si amas el arte…¡querrás formar parte de nuestro club!

  • Organiza tus alertas sobre los temas que más te interesan: exposiciones, premios y concursos, formación… ¡Elige dónde, cómo y cuándo!
  • Entérate de todo lo que sucede en nuestros boletines de noticias.
  • Te mostramos la información que más se ajuste a tus preferencias.
  • Sigue a tus artistas, profesionales, galerías o museos favoritos. ¡Recibirás una notificación cada vez que actualicen contenido!
Premio
05 abr de 2024 - 05 may de 2024

Madrid, España

Exposición
26 abr de 2024 - 30 jun de 2024

Fundación Juan March / Madrid, España

Formación
21 sep de 2023 - 04 jul de 2024

Museo Nacional Centro de Arte Reina Sofía (MNCARS) / Madrid, España

Exposición Online
¿Quieres estar a la última de todas las exposiciones que te interesan?

Suscríbete al canal y recibe todas las novedades.

Recibir alertas de exposiciones