‘The experience of an individual is always my point of departure. But during the process of making an artwork, I must maintain a distance in order to leave that person intact, untouched. And from there, as soon as I begin working, everything enters into the paradoxical terrain of art.’ – Doris Salcedo, A Work in Mourning, Museum of Contemporary Art Chicago and Chicago University Press, 2015 Featuring the large-scale installation Palimpsest (2013−17) and a new series of sculptures entitled Tabula Rasa (2018), the exhibition reflects Salcedo’s continued focus on the experience of mourning and the connection between violence, anonymity and public space.