Danh Vo (Vietnam, 1975) lives and works in Berlin. Vo's installations deftly intermingle autobiography with larger cultural narratives of migration, history, and identity. He allows poetic new connotations to emerge through the staging of meticulously selected images, objects, and documents. Finalist in the IX Hugo Boss Prize 2012.
Exhibitions:
Vo's work has been featured in solo exhibitions at Kunsthalle Fridericianum, Kassel, Germany (2011); Statens Museum for Kunst, Copenhagen (2010-11); Artists Space, New York (2010); Kunsthalle Basel (2009); Kadist Art Foundation, Paris (2009); Stedelijk Museum, Amsterdam (2008); and Brandenburgischer Kunstverein, Potsdam, Germany (2007). Vo's work has been featured in such group exhibitions as That's the way we do it: The Techniques and Aesthetic of Appropriation, From Ei Arakawa to Andy Warhol, Kunsthaus Bregenz, Austria (2011); I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, Museum of Modern Art, New York (2011); To the Arts, Citizens!, Museu de arte contemporânea Serralves, Porto, Portugal (2010-11); Gwangju Biennial, South Korea: 10,000 Lives (2010); Strange Comfort (Afforded by the Profession), Kunsthalle Basel (2010); Berlin Biennial (2010); Morality ACT VII: Of Facts and Fables, Witte de With Center for Contemporary Art, Rotterdam, Netherlands (2009?10); GAGARIN The Artists in their Own Words, SMAK Stedelijk Museum voor actuele Kunst, Ghent, Belgium (2009-10); Preis der Nationalgalerie für junge Kunst 2009, Hamburger Bahnhof, Berlin (2009); Jahresgaben 2008, Kunstverein München, Munich (2008); Yokohama Triennial, Japan: Time Crevasse (2008); Manifesta 7: Comitato, Bolzano, Italy (2008); Where the lions are, Para/Site Art Space, Hong Kong (2008); The California Files: Re-Viewing Side Effects of Cultural
Memory, Wattis Institute for Contemporary Arts, California College of the Arts, San Francisco (2007); Not a Drop but the Fall, Künstlerhaus Bremen, Germany (2005-06); Pilot:2, Pilot, London (2005); and EXIT 2004, Kunstforeningen GL Strand, Copenhagen (2004).
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