A large, interactive installation. Through the use of interactive voice modulation technologies the work explores the production of hybrid bodies using responsive language. A 3D wireframe portrait of the spectator is captured through an intel depth camera and projected in real time. Using their own voice, the spectator morphs his/her image by mimicking the sounds of animals; by attempting to ‘become’ animal. As the sounds are picked up and recognized by the computer, and as the viewer learns cutes, the wire-frame portrait morphs into an animal. Voice modulation triggers the face transformation. Eight clay sculptures were produced from 3D scans of the wireframe portraits.
Entrada actualizada el el 25 may de 2016
Infórmanos si has visto algún error en este contenido o eres este artista y quieres actualizarla. ARTEINFORMADO te agradece tu aportación a la comunidad del arte.
Suscríbete al canal y recibe todas las novedades.
Recibir alertas de exposicionesMadrid, España
Galería Pedro Cera - Madrid / Madrid, España
Museo Nacional Centro de Arte Reina Sofía (MNCARS) / Madrid, España
Online
Suscríbete al canal y recibe todas las novedades.
Recibir alertas de exposiciones