My practice is stimulated by what I perceive as challenges within the act of portrayal. I am fascinated by what lies behind the surface of the subject as an essence to be grasped or sought after through attempting to re-present it. The dialectic between the possibility and simultaneous hopelessness of this endeavour emerges in the abstraction of large-scale woven works, and videos that borrow from the language of documentary. The formal polarity that exists between these ways of working is the terrain on which I am able to examine how in approaching the physical and mediated surface of information, alternate readings may be generated by the viewer.
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