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Cartel de la Bienal.
05
sep 2020
06
dic 2020

Compártelo

Publicada el 28 ene de 2020      Vista 43 veces

Descripción de la Exposición

Conceived as a polyphony of voices and viewpoints on contemporary artistic production, the 34th Bienal de São Paulo – Faz escuro mas eu canto [Though it’s dark, still I sing] asserts the right to both complexity and opacity, in expressions of art and culture, as well as in the identities of individuals and social groups. To this end, the 34th edition has adopted a new format, aimed at creating a multiplicity of distinct situations in which the encounter between artworks and the public can take place. The curatorial team, which consists of Jacopo Crivelli Visconti, Paulo Miyada, Carla Zaccagnini, Francesco Stocchi and Ruth Estévez, hope to highlight how the interpretations and meanings attributed to artworks are elastic and influenced by a number of factors, including possible dialogues with other artworks shown around them. In addition to being extended in time, with solo shows and performative events being held in the Bienal Pavilion starting February 8, the 34th Bienal will also expand in space, by working with more than 25 institutions, mainly across the city of São Paulo, but also internationally. The Fundação Bienal de São Paulo’s broad network of institutional partnerships – cultivated for years and motivated by dialogue and collaborations – is explored in more depth in this edition, and will involve, a network of artistic and curatorial relationships, as well as institutional relationships. In most cases, the partnerships consist of solo shows held at institutions across São Paulo, but also internationally. These shows offer the public an opportunity to construct deeper readings of artists who will also participate in the large group show to be held in the Bienal Pavilion starting in September – where the artworks will come together in a dialogue with works of other artists and debates. A quarter of the participating artists in the group show will be featured in this network of exhibitions, the outcome of months of dialogue between managers and curators. There are also cases in which the collaborations assume other formats, such as a video program or an international seminar. “Located in the cultural complex of Ibirapuera Park and with its origins interlaced with that of other institutions within the same complex, including MAM (Museum of Modern Art) and MAC (Museum of Contemporary Art), since its inception the Fundação Bienal has been committed to the establishment of connections. The 34th Bienal is therefore taking place as the outcome of joint effort and leverage between the curatorial project and the institution’s activity. Due to the recognition that today, more than ever, it is necessary to underscore the importance of dialogue and relations between different individuals and groups,” states Fundação’s President, José Olympio da Veiga Pereira. The 34th Bienal is structured on the basis of the multiple relationships that arise among artistic and institutional questions in an event of this size. “ While all of the artists shown in the partner institutions will also be present at the Bienal Pavilion starting in September, the experience the visitors will have upon encountering the works will be very different in each case. It is in this multiplicity of possible relationships in constant transformation that this edition of the Bienal finds one of its central bearings,” says Jacopo Crivelli Visconti, chief curator of this edition. Adjunct curator Paulo Miyada adds: “São Paulo is a complex metropolis in which many publics live together. By mobilizing this network of partnerships, the Bienal gains an opportunity to approach other urban contexts and publics that each institution cultivates on a daily basis. The visitors of a wide range of spaces will be spurred to visit the Bienal to re-encounter the work of an artist in an expanded dialogue, or, inversely, the visitors of the Bienal could be inspired to visit a new cultural space if they wish to delve longer into an artist’s production.” In addition to the shows taking place in São Paulo, the 34th Bienal also includes international partnerships. Two of these take place prior to the large group exhibition in September: Deana Lawson’s solo show at Kunsthalle Basel, Switzerland (27 March – 24 May 2020), as well as Neo Muyanga’s performance ‘A Maze in Grace’ at the 11th Liverpool Biennial, UK (9 – 11 July 2020), while others extend until 2021, the solo exhibitions of Clara Ianni at the CCA Lagos Centre for Contemporary Art, Lagos, Nigeria and Ximena Garrido-Lecca at the CCA Wattis Institute for Contemporary Arts, San Francisco, US.

Actualizado

el 10 feb de 2020
El 29 feb de 2020
Presentación en IFEMA - Feria de Madrid / Madrid, España
21 ene - 01 mar
Beca en Madrid, España

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